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All the President's Men
Taschenbuch von Robert B. Ray (u. a.)
Sprache: Englisch

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Beschreibung
Alan J. Pakula's political thriller All the President's Men (1976) was met with immediate critical and commercial success upon its release, finishing second at the box office and earning seven Academy Award nominations.

Through a close reading of key scenes, performances and stylistic decisions, Christian Keathley and Robert B. Ray show how the film derives its narrative power through a series of controlled oppositions: silence vs. noise; stationary vs. moving camera; dark vs. well-lit scenes and shallow vs. deep focus, tracing how these elements combine to create an underlying formal design crucial to the film's achievement.

They argue that the film does not fit the auteurist model of New Hollywood film-makers such as Coppola and Scorsese. Instead, All the President's Men more closely resembles a studio-era film, the result of a collaboration between a producer (Robert Redford), multiple scriptwriters, a skilful director, important stars (Robert Redford and Dustin Hoffman), a distinctive cameraman (Gordon Willis), an imaginative art director (George Jenkins) and ingenious sound designers, who together created an enduringly great film.
Alan J. Pakula's political thriller All the President's Men (1976) was met with immediate critical and commercial success upon its release, finishing second at the box office and earning seven Academy Award nominations.

Through a close reading of key scenes, performances and stylistic decisions, Christian Keathley and Robert B. Ray show how the film derives its narrative power through a series of controlled oppositions: silence vs. noise; stationary vs. moving camera; dark vs. well-lit scenes and shallow vs. deep focus, tracing how these elements combine to create an underlying formal design crucial to the film's achievement.

They argue that the film does not fit the auteurist model of New Hollywood film-makers such as Coppola and Scorsese. Instead, All the President's Men more closely resembles a studio-era film, the result of a collaboration between a producer (Robert Redford), multiple scriptwriters, a skilful director, important stars (Robert Redford and Dustin Hoffman), a distinctive cameraman (Gordon Willis), an imaginative art director (George Jenkins) and ingenious sound designers, who together created an enduringly great film.
Über den Autor
Christian Keathley is Professor of Film and Media Culture at Middlebury College, USA. He is author of Cinephilia and History, or The Wind in the Trees (2005) and co-author of The Videographic Essay: Criticism in Sound & Image (2016). His writing has been published in journals such as Screen and MOVIE.

Robert B. Ray is Professor of English at the University of Florida, USA. He is author of A Certain Tendency of the Hollywood Cinema, 1930-1980 (1985), The Avant-Garde Finds Andy Hardy (1995), How a Film Theory Got Lost and Other Mysteries in Cultural Studies (2001), The ABCs of Classic Hollywood (2008), Walden X 40: Essays on Thoreau (2012) and The Structure of Complex Images (2020).
Zusammenfassung
Draws on original research into the development of the film's screenplay through an analysis of early drafts of the script
Inhaltsverzeichnis
Acknowledgements
Introduction
[...]'s in Control?
[...] Scripts and Their Ellipses
[...] Performance Styles
4.Découpage and Dialectics
Conclusion
Notes
Credits
Details
Erscheinungsjahr: 2023
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Reihe: BFI Film Classics
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781839024047
ISBN-10: 1839024046
Sprache: Englisch
Herstellernummer: 541157
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Ray, Robert B.
Keathley, Christian
Hersteller: Bloomsbury Academic
British Film Institute
Abbildungen: 60 colour illus
Maße: 184 x 133 x 10 mm
Von/Mit: Robert B. Ray (u. a.)
Erscheinungsdatum: 04.05.2023
Gewicht: 0,182 kg
Artikel-ID: 125583284
Über den Autor
Christian Keathley is Professor of Film and Media Culture at Middlebury College, USA. He is author of Cinephilia and History, or The Wind in the Trees (2005) and co-author of The Videographic Essay: Criticism in Sound & Image (2016). His writing has been published in journals such as Screen and MOVIE.

Robert B. Ray is Professor of English at the University of Florida, USA. He is author of A Certain Tendency of the Hollywood Cinema, 1930-1980 (1985), The Avant-Garde Finds Andy Hardy (1995), How a Film Theory Got Lost and Other Mysteries in Cultural Studies (2001), The ABCs of Classic Hollywood (2008), Walden X 40: Essays on Thoreau (2012) and The Structure of Complex Images (2020).
Zusammenfassung
Draws on original research into the development of the film's screenplay through an analysis of early drafts of the script
Inhaltsverzeichnis
Acknowledgements
Introduction
[...]'s in Control?
[...] Scripts and Their Ellipses
[...] Performance Styles
4.Découpage and Dialectics
Conclusion
Notes
Credits
Details
Erscheinungsjahr: 2023
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Reihe: BFI Film Classics
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781839024047
ISBN-10: 1839024046
Sprache: Englisch
Herstellernummer: 541157
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Ray, Robert B.
Keathley, Christian
Hersteller: Bloomsbury Academic
British Film Institute
Abbildungen: 60 colour illus
Maße: 184 x 133 x 10 mm
Von/Mit: Robert B. Ray (u. a.)
Erscheinungsdatum: 04.05.2023
Gewicht: 0,182 kg
Artikel-ID: 125583284
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