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Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors.
The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.
This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors.
The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.
This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
Konstantin Stanislavsky (1863-1938) was a Russian actor and theatre director. He was the co-founder (with Nemirovich-Danchenko) of the Moscow Art Theatre, which took the international theatre world by storm when he began producing the plays of Anton Chekhov in 1898.
Introduction Declan Donnelan Translator's Foreword Jean Benedetti Preface Konstantin Stanislavski Year One 1. Amateurism 2. The stage as art and stock-in-trade 3. Action 4. Imagination 5. Concentration 6. Muscular release 7. Bits and tasks 8. Belief and the sense of truth 9. Emotion memory 10. Contact and communication 11. Adaptation 12. Psychological drives 13. Psychological drives in action 14. The Actor's creative state 15. The Supertask, through-action 16. The subconscious and the Actor Year Two 17. Transition to physical embodiment 18. Physical education 19. Voice and speech 20. Perspective 21. Tempo-rhyth 22. Logic 23. Physical characteristics 24. Finishing touches 25. Charisma 26. Ethics and discipline 27. External creative state 28. General creative state 29. The system Appendices Glossary of Key Terms Afterword Anatolij Smelianski
| Erscheinungsjahr: | 2016 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781138688384 |
| ISBN-10: | 113868838X |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Stanislavski, Konstantin |
| Übersetzung: | Benedetti, Jean |
| Hersteller: | Routledge |
| Maße: | 234 x 156 x 41 mm |
| Von/Mit: | Konstantin Stanislavski |
| Erscheinungsdatum: | 22.09.2016 |
| Gewicht: | 1,135 kg |
Konstantin Stanislavsky (1863-1938) was a Russian actor and theatre director. He was the co-founder (with Nemirovich-Danchenko) of the Moscow Art Theatre, which took the international theatre world by storm when he began producing the plays of Anton Chekhov in 1898.
Introduction Declan Donnelan Translator's Foreword Jean Benedetti Preface Konstantin Stanislavski Year One 1. Amateurism 2. The stage as art and stock-in-trade 3. Action 4. Imagination 5. Concentration 6. Muscular release 7. Bits and tasks 8. Belief and the sense of truth 9. Emotion memory 10. Contact and communication 11. Adaptation 12. Psychological drives 13. Psychological drives in action 14. The Actor's creative state 15. The Supertask, through-action 16. The subconscious and the Actor Year Two 17. Transition to physical embodiment 18. Physical education 19. Voice and speech 20. Perspective 21. Tempo-rhyth 22. Logic 23. Physical characteristics 24. Finishing touches 25. Charisma 26. Ethics and discipline 27. External creative state 28. General creative state 29. The system Appendices Glossary of Key Terms Afterword Anatolij Smelianski
| Erscheinungsjahr: | 2016 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781138688384 |
| ISBN-10: | 113868838X |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Stanislavski, Konstantin |
| Übersetzung: | Benedetti, Jean |
| Hersteller: | Routledge |
| Maße: | 234 x 156 x 41 mm |
| Von/Mit: | Konstantin Stanislavski |
| Erscheinungsdatum: | 22.09.2016 |
| Gewicht: | 1,135 kg |
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