Zum Hauptinhalt springen
Dekorationsartikel gehören nicht zum Leistungsumfang.
Animism and Shamanism in Twentieth-Century Art
Kandinsky, Ernst, Pollock, Beuys
Taschenbuch von Evan R. Firestone
Sprache: Englisch

72,10 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Kategorien:
Beschreibung
Wassily Kandinsky, Max Ernst, Jackson Pollock, and Joseph Beuys were the leading artists of their generations to recognize the rich possibilities that animism and shamanism offered. While each of these artists' connection with shamanism has been written about separately, Evan Firestone brings the four together in order to compare¿their individual approaches to anthropological materials and to define similarities and differences between them. The author's close readings¿of their works and examination of the relevant texts available to them reveal fresh insights and new [...] importance of indigenous beliefs in animism for Kandinsky's ¿philosophy of¿art and practice, especially the animism of inanimate objects, is analyzed for the first time in conjunction with his well-known enthusiasms for Symbolism and Theosophy. Ernst's collage novel, La femme 100 tetes (1929), previously found to have significant alchemical content, also is shown to extensively utilize shamanism, thereby merging different branches of the occult that prove to have remarkable similarities. The in-depth examination of Pollock's works, both known and overlooked for shamanic content, identifies textual sources that heretofore have escaped notice. Firestone also demonstrates how shamanism was employed by this artist to express his desire for healing and transformation. The author further argues that the German edition of Mircea Eliade's Shamanism: Archaic Techniques of Ecstasy (1957) helped to revitalize Beuys's life and art, and that his ecological campaigns reflected a new consciousness later termed ecoanimism.
Wassily Kandinsky, Max Ernst, Jackson Pollock, and Joseph Beuys were the leading artists of their generations to recognize the rich possibilities that animism and shamanism offered. While each of these artists' connection with shamanism has been written about separately, Evan Firestone brings the four together in order to compare¿their individual approaches to anthropological materials and to define similarities and differences between them. The author's close readings¿of their works and examination of the relevant texts available to them reveal fresh insights and new [...] importance of indigenous beliefs in animism for Kandinsky's ¿philosophy of¿art and practice, especially the animism of inanimate objects, is analyzed for the first time in conjunction with his well-known enthusiasms for Symbolism and Theosophy. Ernst's collage novel, La femme 100 tetes (1929), previously found to have significant alchemical content, also is shown to extensively utilize shamanism, thereby merging different branches of the occult that prove to have remarkable similarities. The in-depth examination of Pollock's works, both known and overlooked for shamanic content, identifies textual sources that heretofore have escaped notice. Firestone also demonstrates how shamanism was employed by this artist to express his desire for healing and transformation. The author further argues that the German edition of Mircea Eliade's Shamanism: Archaic Techniques of Ecstasy (1957) helped to revitalize Beuys's life and art, and that his ecological campaigns reflected a new consciousness later termed ecoanimism.
Über den Autor

Evan R. Firestone is Professor Emeritus of Art History, University of Georgia, USA.

Inhaltsverzeichnis

Preface and Acknowledgements

Introduction: Explorers, Writers, and Artists Discover Shamanism

1. Kandinsky and Animism: "Everything 'Dead' Trembled"

2. Max Ernst's La femme 100 têtes: A Shamanic-Alchemical Romance

3. Vision Quest: Jackson Pollock and the Native-American Spirit World

4. Joseph Beuys as Shaman: The Medium is the Message

Conclusion: The Occult, Primitivism, Modernism and Anti-Modernism

Addendum: Beuys Redux

Details
Erscheinungsjahr: 2019
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780367200190
ISBN-10: 0367200198
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Firestone, Evan R.
Hersteller: Routledge
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 246 x 174 x 12 mm
Von/Mit: Evan R. Firestone
Erscheinungsdatum: 23.05.2019
Gewicht: 0,391 kg
Artikel-ID: 128408621
Über den Autor

Evan R. Firestone is Professor Emeritus of Art History, University of Georgia, USA.

Inhaltsverzeichnis

Preface and Acknowledgements

Introduction: Explorers, Writers, and Artists Discover Shamanism

1. Kandinsky and Animism: "Everything 'Dead' Trembled"

2. Max Ernst's La femme 100 têtes: A Shamanic-Alchemical Romance

3. Vision Quest: Jackson Pollock and the Native-American Spirit World

4. Joseph Beuys as Shaman: The Medium is the Message

Conclusion: The Occult, Primitivism, Modernism and Anti-Modernism

Addendum: Beuys Redux

Details
Erscheinungsjahr: 2019
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780367200190
ISBN-10: 0367200198
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Firestone, Evan R.
Hersteller: Routledge
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 246 x 174 x 12 mm
Von/Mit: Evan R. Firestone
Erscheinungsdatum: 23.05.2019
Gewicht: 0,391 kg
Artikel-ID: 128408621
Sicherheitshinweis

Ähnliche Produkte

Ähnliche Produkte