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Aphex Twin's Selected Ambient Works Volume II
Taschenbuch von Marc Weidenbaum
Sprache: Englisch

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Beschreibung
Extravagantly opaque, willfully vaporous - Aphex Twin's Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise.

Faithful to Brian Eno's definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, "ambient" has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.
Extravagantly opaque, willfully vaporous - Aphex Twin's Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise.

Faithful to Brian Eno's definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, "ambient" has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.
Über den Autor
Marc Weidenbaum
Zusammenfassung
Places album in context of rave/massive and early Internet culture at time of album's release
Inhaltsverzeichnis
There Is No Volume I

Background Beats

A Chill-out Room of One's Own

Synesthetic Codex

Transcribing Vapor

Embedding Vapor

Selected Ambient Works Volume III

Thanks and Acknowledgments
Details
Erscheinungsjahr: 2014
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781623568900
ISBN-10: 1623568900
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Weidenbaum, Marc
Hersteller: Bloomsbury Academic
Maße: 165 x 118 x 15 mm
Von/Mit: Marc Weidenbaum
Erscheinungsdatum: 13.02.2014
Gewicht: 0,139 kg
Artikel-ID: 105910317
Über den Autor
Marc Weidenbaum
Zusammenfassung
Places album in context of rave/massive and early Internet culture at time of album's release
Inhaltsverzeichnis
There Is No Volume I

Background Beats

A Chill-out Room of One's Own

Synesthetic Codex

Transcribing Vapor

Embedding Vapor

Selected Ambient Works Volume III

Thanks and Acknowledgments
Details
Erscheinungsjahr: 2014
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781623568900
ISBN-10: 1623568900
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Weidenbaum, Marc
Hersteller: Bloomsbury Academic
Maße: 165 x 118 x 15 mm
Von/Mit: Marc Weidenbaum
Erscheinungsdatum: 13.02.2014
Gewicht: 0,139 kg
Artikel-ID: 105910317
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