1. Handel and Music for the Earl of Carnarvon Graydon Beeks; 2. Aria and Ritornello: New Aspects of the Comparison Handel/Bach Paul Brainard; 3. Handel and Hanover Donald Burrows; 4. Muzio Clementi as an Original Advocate, Collector and Performer, in Particular of J. S. Bach and D. Scarlatti Stephen Daw; 5. Handel's Early London Copyists Winton Dean; 6. The 'Dotted Style' in Bach, Handel, and Scarlatti David Fuller; 7. The Mietkes, the Margrave and Bach Sheridan Germann; 8. Handel's 'Chandos' and Associated Anthems: An Introductory Survey Gerald Hendrie; 9.`Der Himmel weiss, wo these Sachen hingekommen sind': Reconstructing the Lost Keyboard Notebooks of the Young Bach and Handel Robert Hill; 10. Did J. S. Bach Compose the F minor Prelude and Fugue BWV 534? David Humphreys; 11. In Search of Bach the Organist Peter Le Hurry and John Butt; 12. Keyboard Technique and Articulation: Evidence for the Performance Practices of Bach, Handel and Scarlatti Mark Lindley; 13. Bach and Handel as Teachers of Thorough Bass Alfred Mann; 14. Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology Robert L. Marshall; 15. Bach, Handel, D. Scarlatti and the Toccata of the Late Baroque Giorgio Pestelli; 16. Does 'Well-Tempered' Mean 'Equal-Tempered'? Rudolf Rasch; 17. The B minor Mass - Perpetual Touchstone for Bach Research Hans-Joachim Schultze; 18. Remarks on the Compositions for Organ of Domenico Scarlatti Luigi Ferdinando Tagliavini; 19. Figurae in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction Peter Williams.