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Beschreibung
This is the first full-length monograph on the paintings of Bernard Frize, an artist whose work straddles movements and styles from Color Field to Minimalism, Fluxus, and Conceptual Art. Frize's works utilize a carefully constructed range of tools, processes, choreography, and collaboration to catalog, in complex and unexpected abstract form and color, the possibilities of his chosen materials. Emerging from the post-war School of Paris and Supports/Surfaces groups, from the politicized 1970s onward, Frize swam against the tide of opinion regarding painting's apparent obsolescence to develop a painting practice that could express political commitment and social concerns, while avoiding both overt statement and pure decoration. David Rhodes' text provides a detailed consideration of all stages of Frize's development, from the earliest works to the present, covering technical changes in picture-making, Frize's changing position in relation to painting, as well as the wider conversation about painting itself and the evolution of the international art market.
This is the first full-length monograph on the paintings of Bernard Frize, an artist whose work straddles movements and styles from Color Field to Minimalism, Fluxus, and Conceptual Art. Frize's works utilize a carefully constructed range of tools, processes, choreography, and collaboration to catalog, in complex and unexpected abstract form and color, the possibilities of his chosen materials. Emerging from the post-war School of Paris and Supports/Surfaces groups, from the politicized 1970s onward, Frize swam against the tide of opinion regarding painting's apparent obsolescence to develop a painting practice that could express political commitment and social concerns, while avoiding both overt statement and pure decoration. David Rhodes' text provides a detailed consideration of all stages of Frize's development, from the earliest works to the present, covering technical changes in picture-making, Frize's changing position in relation to painting, as well as the wider conversation about painting itself and the evolution of the international art market.
Über den Autor
David Rhodes is a painter, writer, and critic based in New York. He writes regularly for Art Critical, Art Forum and The Brooklyn Rail.
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Buch |
Inhalt: | Gebunden |
ISBN-13: | 9781848223479 |
ISBN-10: | 1848223471 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Rhodes, David |
Orchester: | Schwabsky, Barry |
Hersteller: | Lund Humphries Publishers Ltd |
Maße: | 284 x 245 x 20 mm |
Von/Mit: | David Rhodes |
Erscheinungsdatum: | 03.07.2019 |
Gewicht: | 1,033 kg |
Über den Autor
David Rhodes is a painter, writer, and critic based in New York. He writes regularly for Art Critical, Art Forum and The Brooklyn Rail.
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Buch |
Inhalt: | Gebunden |
ISBN-13: | 9781848223479 |
ISBN-10: | 1848223471 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Rhodes, David |
Orchester: | Schwabsky, Barry |
Hersteller: | Lund Humphries Publishers Ltd |
Maße: | 284 x 245 x 20 mm |
Von/Mit: | David Rhodes |
Erscheinungsdatum: | 03.07.2019 |
Gewicht: | 1,033 kg |
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