Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
102,70 €*
Versandkostenfrei per Post / DHL
Aktuell nicht verfügbar
Kategorien:
Beschreibung
This in-depth musicological and critical study examines how Bernard Herrmann's score for Alfred Hitchcock's Vertigo plays a crucial role in the articulation and development of the film's narrative and how it affects readings of the film. Herrmann's collaboration with Hitchcock spanned eleven years and nine films, and Herrmann's film score for Vertigo is widely regarded as being one of his finest. Cooper considers the development of Herrmann's career up to 1958, providing a detailed discussion of his musical style. The explicit information about the structure of Herrmann's music is based on a study of Herrmann's autograph score.
Cooper examines not only the context of the film's production, but also its reception and critical readings of the film. In addition, this study explores how the effects track co-operates with Herrmann's non-diegetic and diegetic score and concludes with a detailed musicological study. The author advances a new theory, in his discussion of signification, about the establishment of meaning in film music through association with images on the screen. This sophisticated musicological approach will appeal to film music and film communication scholars.
Cooper examines not only the context of the film's production, but also its reception and critical readings of the film. In addition, this study explores how the effects track co-operates with Herrmann's non-diegetic and diegetic score and concludes with a detailed musicological study. The author advances a new theory, in his discussion of signification, about the establishment of meaning in film music through association with images on the screen. This sophisticated musicological approach will appeal to film music and film communication scholars.
This in-depth musicological and critical study examines how Bernard Herrmann's score for Alfred Hitchcock's Vertigo plays a crucial role in the articulation and development of the film's narrative and how it affects readings of the film. Herrmann's collaboration with Hitchcock spanned eleven years and nine films, and Herrmann's film score for Vertigo is widely regarded as being one of his finest. Cooper considers the development of Herrmann's career up to 1958, providing a detailed discussion of his musical style. The explicit information about the structure of Herrmann's music is based on a study of Herrmann's autograph score.
Cooper examines not only the context of the film's production, but also its reception and critical readings of the film. In addition, this study explores how the effects track co-operates with Herrmann's non-diegetic and diegetic score and concludes with a detailed musicological study. The author advances a new theory, in his discussion of signification, about the establishment of meaning in film music through association with images on the screen. This sophisticated musicological approach will appeal to film music and film communication scholars.
Cooper examines not only the context of the film's production, but also its reception and critical readings of the film. In addition, this study explores how the effects track co-operates with Herrmann's non-diegetic and diegetic score and concludes with a detailed musicological study. The author advances a new theory, in his discussion of signification, about the establishment of meaning in film music through association with images on the screen. This sophisticated musicological approach will appeal to film music and film communication scholars.
Über den Autor
ABOUT THE COOPERS
David L. Cooper is a retired business owner, a suicide loss survivor, a volunteer grief facilitator with the Toronto Distress Centre, and the founder of STUFF Canada, a non-profit created in 1999 to reduce homelessness and poverty in Toronto. In 2004, he was the recipient of the New Spirit of Community Award at the Canadian Centre for Philanthropy, and the Peter F. Drucker Award for Not-For-Profit Innovation in 2003. He and his wife Deborah share practical supportive advice for bereaved parents and the professionals who work with them.
Deborah A. Cooper, a suicide loss survivor, formerly a Public Health Nurse with the City of Toronto and a part-time faculty member in Nursing at Seneca College, worked with David in the family business for many years prior to retiring in 2015. She has been a community volunteer and advocate for more than 40 years.
David L. Cooper is a retired business owner, a suicide loss survivor, a volunteer grief facilitator with the Toronto Distress Centre, and the founder of STUFF Canada, a non-profit created in 1999 to reduce homelessness and poverty in Toronto. In 2004, he was the recipient of the New Spirit of Community Award at the Canadian Centre for Philanthropy, and the Peter F. Drucker Award for Not-For-Profit Innovation in 2003. He and his wife Deborah share practical supportive advice for bereaved parents and the professionals who work with them.
Deborah A. Cooper, a suicide loss survivor, formerly a Public Health Nurse with the City of Toronto and a part-time faculty member in Nursing at Seneca College, worked with David in the family business for many years prior to retiring in 2015. She has been a community volunteer and advocate for more than 40 years.
Inhaltsverzeichnis
Introduction
Herrmann's Career up to the Composition of Veritgo
Overview of Herrmann's Musical Style in Vertigo
Context of the Production of Vertigo and Readings of the Film
Approaching Vertigo as a Musical and Sonic Text
Analysis and Readings of the Score. 1. Madeleine
Analysis and Readings of the Score. [...]ydice Ressuscitée
Bibliography
Index
Herrmann's Career up to the Composition of Veritgo
Overview of Herrmann's Musical Style in Vertigo
Context of the Production of Vertigo and Readings of the Film
Approaching Vertigo as a Musical and Sonic Text
Analysis and Readings of the Score. 1. Madeleine
Analysis and Readings of the Score. [...]ydice Ressuscitée
Bibliography
Index
Details
Erscheinungsjahr: | 2001 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Thema: | Musikgeschichte |
Medium: | Buch |
ISBN-13: | 9780313314902 |
ISBN-10: | 031331490X |
Sprache: | Englisch |
Ausstattung / Beilage: | HC gerader Rücken kaschiert |
Einband: | Gebunden |
Autor: | Cooper, David |
Hersteller: | Greenwood |
Maße: | 240 x 161 x 14 mm |
Von/Mit: | David Cooper |
Erscheinungsdatum: | 28.02.2001 |
Gewicht: | 0,442 kg |
Über den Autor
ABOUT THE COOPERS
David L. Cooper is a retired business owner, a suicide loss survivor, a volunteer grief facilitator with the Toronto Distress Centre, and the founder of STUFF Canada, a non-profit created in 1999 to reduce homelessness and poverty in Toronto. In 2004, he was the recipient of the New Spirit of Community Award at the Canadian Centre for Philanthropy, and the Peter F. Drucker Award for Not-For-Profit Innovation in 2003. He and his wife Deborah share practical supportive advice for bereaved parents and the professionals who work with them.
Deborah A. Cooper, a suicide loss survivor, formerly a Public Health Nurse with the City of Toronto and a part-time faculty member in Nursing at Seneca College, worked with David in the family business for many years prior to retiring in 2015. She has been a community volunteer and advocate for more than 40 years.
David L. Cooper is a retired business owner, a suicide loss survivor, a volunteer grief facilitator with the Toronto Distress Centre, and the founder of STUFF Canada, a non-profit created in 1999 to reduce homelessness and poverty in Toronto. In 2004, he was the recipient of the New Spirit of Community Award at the Canadian Centre for Philanthropy, and the Peter F. Drucker Award for Not-For-Profit Innovation in 2003. He and his wife Deborah share practical supportive advice for bereaved parents and the professionals who work with them.
Deborah A. Cooper, a suicide loss survivor, formerly a Public Health Nurse with the City of Toronto and a part-time faculty member in Nursing at Seneca College, worked with David in the family business for many years prior to retiring in 2015. She has been a community volunteer and advocate for more than 40 years.
Inhaltsverzeichnis
Introduction
Herrmann's Career up to the Composition of Veritgo
Overview of Herrmann's Musical Style in Vertigo
Context of the Production of Vertigo and Readings of the Film
Approaching Vertigo as a Musical and Sonic Text
Analysis and Readings of the Score. 1. Madeleine
Analysis and Readings of the Score. [...]ydice Ressuscitée
Bibliography
Index
Herrmann's Career up to the Composition of Veritgo
Overview of Herrmann's Musical Style in Vertigo
Context of the Production of Vertigo and Readings of the Film
Approaching Vertigo as a Musical and Sonic Text
Analysis and Readings of the Score. 1. Madeleine
Analysis and Readings of the Score. [...]ydice Ressuscitée
Bibliography
Index
Details
Erscheinungsjahr: | 2001 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Thema: | Musikgeschichte |
Medium: | Buch |
ISBN-13: | 9780313314902 |
ISBN-10: | 031331490X |
Sprache: | Englisch |
Ausstattung / Beilage: | HC gerader Rücken kaschiert |
Einband: | Gebunden |
Autor: | Cooper, David |
Hersteller: | Greenwood |
Maße: | 240 x 161 x 14 mm |
Von/Mit: | David Cooper |
Erscheinungsdatum: | 28.02.2001 |
Gewicht: | 0,442 kg |
Warnhinweis