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Beschreibung
In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy.
In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy.
Über den Autor
Joseph Leo Koerner is the Victor S. Thomas Professor of the History of Art and Architecture and Senior Fellow of the Society of Fellows at Harvard University. His previous books include The Moment of Self-Portraiture in German Renaissance Art, The Reformation of the Image, and Caspar David Friedrich and the Subject of Landscape.
Details
Erscheinungsjahr: | 2016 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Buch |
Inhalt: | Gebunden |
ISBN-13: | 9780691172286 |
ISBN-10: | 0691172285 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Koerner, Joseph Leo |
Hersteller: | Princeton University Press |
Maße: | 287 x 210 x 35 mm |
Von/Mit: | Joseph Leo Koerner |
Erscheinungsdatum: | 06.12.2016 |
Gewicht: | 1,901 kg |
Über den Autor
Joseph Leo Koerner is the Victor S. Thomas Professor of the History of Art and Architecture and Senior Fellow of the Society of Fellows at Harvard University. His previous books include The Moment of Self-Portraiture in German Renaissance Art, The Reformation of the Image, and Caspar David Friedrich and the Subject of Landscape.
Details
Erscheinungsjahr: | 2016 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Buch |
Inhalt: | Gebunden |
ISBN-13: | 9780691172286 |
ISBN-10: | 0691172285 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Koerner, Joseph Leo |
Hersteller: | Princeton University Press |
Maße: | 287 x 210 x 35 mm |
Von/Mit: | Joseph Leo Koerner |
Erscheinungsdatum: | 06.12.2016 |
Gewicht: | 1,901 kg |
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