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Beschreibung
Christopher Nolan is the writer and director of Hollywood blockbusters like The Dark Knight and The Dark Knight Rises, and also of arthouse films like Memento and Inception. Underlying his staggering commercial success however, is a darker sensibility that questions the veracity of human knowledge, the allure of appearance over reality and the latent disorder in contemporary society.
This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan's oeuvre, Robbie Goh examines how the director's postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a 'reluctant postmodernist'. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it.
This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan's oeuvre, Robbie Goh examines how the director's postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a 'reluctant postmodernist'. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it.
Christopher Nolan is the writer and director of Hollywood blockbusters like The Dark Knight and The Dark Knight Rises, and also of arthouse films like Memento and Inception. Underlying his staggering commercial success however, is a darker sensibility that questions the veracity of human knowledge, the allure of appearance over reality and the latent disorder in contemporary society.
This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan's oeuvre, Robbie Goh examines how the director's postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a 'reluctant postmodernist'. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it.
This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan's oeuvre, Robbie Goh examines how the director's postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a 'reluctant postmodernist'. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it.
Über den Autor
Robbie B. H. Goh
Zusammenfassung
Book can also be used on undergraduate film studies courses and interdisciplinary courses like philosophy and film
Inhaltsverzeichnis
1. Christopher Nolan as Philosophical Filmmaker: Themes and Influences
2. Postmodernism and Cynicism
3. The Moral Turn: Against Postmodernism
4. Nolan's Heroes as Philosophers
5. Film Narrative and/as Philosophy
2. Postmodernism and Cynicism
3. The Moral Turn: Against Postmodernism
4. Nolan's Heroes as Philosophers
5. Film Narrative and/as Philosophy
Details
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
ISBN-13: | 9781350139978 |
ISBN-10: | 1350139971 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Goh, Robbie B. H. |
Hersteller: | Bloomsbury Publishing PLC |
Maße: | 216 x 139 x 20 mm |
Von/Mit: | Robbie B. H. Goh |
Erscheinungsdatum: | 02.12.2021 |
Gewicht: | 0,263 kg |
Über den Autor
Robbie B. H. Goh
Zusammenfassung
Book can also be used on undergraduate film studies courses and interdisciplinary courses like philosophy and film
Inhaltsverzeichnis
1. Christopher Nolan as Philosophical Filmmaker: Themes and Influences
2. Postmodernism and Cynicism
3. The Moral Turn: Against Postmodernism
4. Nolan's Heroes as Philosophers
5. Film Narrative and/as Philosophy
2. Postmodernism and Cynicism
3. The Moral Turn: Against Postmodernism
4. Nolan's Heroes as Philosophers
5. Film Narrative and/as Philosophy
Details
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
ISBN-13: | 9781350139978 |
ISBN-10: | 1350139971 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Goh, Robbie B. H. |
Hersteller: | Bloomsbury Publishing PLC |
Maße: | 216 x 139 x 20 mm |
Von/Mit: | Robbie B. H. Goh |
Erscheinungsdatum: | 02.12.2021 |
Gewicht: | 0,263 kg |
Warnhinweis