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Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, well known for his works on the philosophy of art and for his master-works, Difference and Repetition and - with Felix Guattari - A Thousand Plateaus and Anti-Oedipus.
Cinema I is the first volume of Deleuze's revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as "a logic of the cinema", setting out to "isolate certain cinematographic concepts" philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.
Cinema I is the first volume of Deleuze's revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as "a logic of the cinema", setting out to "isolate certain cinematographic concepts" philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.
Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, well known for his works on the philosophy of art and for his master-works, Difference and Repetition and - with Felix Guattari - A Thousand Plateaus and Anti-Oedipus.
Cinema I is the first volume of Deleuze's revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as "a logic of the cinema", setting out to "isolate certain cinematographic concepts" philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.
Cinema I is the first volume of Deleuze's revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as "a logic of the cinema", setting out to "isolate certain cinematographic concepts" philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.
Über den Autor
Gilles Deleuze (1925-1995) was one of the key figures in poststructuralism, and one of the most influential philosophers of the twentieth century. His major works include, with Felix Guattari, A Thousand Plateaus and Anti-Oedipus.
Zusammenfassung
Includes philosophical analyses of the works of such film-makers as Eisenstein, Chaplin and Hitchcock.
Inhaltsverzeichnis
Preface to the English edition \ Translators' Introduction \Preface to the French Edition \ 1. Theses on Movement: First Commentary onBergson \ 2. Frame and Short, Framing and Cutting \ 3. Montage \ 4. TheMovement-Image and its Three Varieties: Second Commentary on Bergson \ 5. ThePerception-Image \ 6. The Affection-Image Face and Close-Up \ 7. TheAffection-Image: Qualities, Powers, Any-Space-Whatevers \ 8. From Affect toAction: The Impulse Image \ 9. The Action-Image: The Large Form \ 10. The Action-Image:The Small Form \ 11. Figures, or the Transformation of Forms \ 12. The Crisisof the Action-Image \ Glossary \ Notes \ Index.
Details
Erscheinungsjahr: | 2013 |
---|---|
Genre: | Philosophie |
Jahrhundert: | 20. & 21. Jahrhundert |
Rubrik: | Geisteswissenschaften |
Medium: | Taschenbuch |
Reihe: | Bloomsbury Revelations |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781472508300 |
ISBN-10: | 1472508300 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Deleuze, Gilles |
Hersteller: | Bloomsbury Academic |
Maße: | 216 x 136 x 22 mm |
Von/Mit: | Gilles Deleuze |
Erscheinungsdatum: | 24.10.2013 |
Gewicht: | 0,392 kg |
Über den Autor
Gilles Deleuze (1925-1995) was one of the key figures in poststructuralism, and one of the most influential philosophers of the twentieth century. His major works include, with Felix Guattari, A Thousand Plateaus and Anti-Oedipus.
Zusammenfassung
Includes philosophical analyses of the works of such film-makers as Eisenstein, Chaplin and Hitchcock.
Inhaltsverzeichnis
Preface to the English edition \ Translators' Introduction \Preface to the French Edition \ 1. Theses on Movement: First Commentary onBergson \ 2. Frame and Short, Framing and Cutting \ 3. Montage \ 4. TheMovement-Image and its Three Varieties: Second Commentary on Bergson \ 5. ThePerception-Image \ 6. The Affection-Image Face and Close-Up \ 7. TheAffection-Image: Qualities, Powers, Any-Space-Whatevers \ 8. From Affect toAction: The Impulse Image \ 9. The Action-Image: The Large Form \ 10. The Action-Image:The Small Form \ 11. Figures, or the Transformation of Forms \ 12. The Crisisof the Action-Image \ Glossary \ Notes \ Index.
Details
Erscheinungsjahr: | 2013 |
---|---|
Genre: | Philosophie |
Jahrhundert: | 20. & 21. Jahrhundert |
Rubrik: | Geisteswissenschaften |
Medium: | Taschenbuch |
Reihe: | Bloomsbury Revelations |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781472508300 |
ISBN-10: | 1472508300 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Deleuze, Gilles |
Hersteller: | Bloomsbury Academic |
Maße: | 216 x 136 x 22 mm |
Von/Mit: | Gilles Deleuze |
Erscheinungsdatum: | 24.10.2013 |
Gewicht: | 0,392 kg |
Warnhinweis