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Conceptualism in Latin American Art
Didactics of Liberation
Taschenbuch von Luis Camnitzer
Sprache: Englisch

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Beschreibung
An authoritative, firsthand account of conceptualism in Latin American art of the 1960s and 1970s by an artist who was at the forefront of the movement.
An authoritative, firsthand account of conceptualism in Latin American art of the 1960s and 1970s by an artist who was at the forefront of the movement.
Über den Autor

Luis Camnitzer, an award-winning artist, essayist, and critic, is Professor Emeritus of Art at SUNY Old Westbury. He served as Viewing Program Curator at the Drawing Center in New York City from 1999 to 2006. His work is in the permanent collections of major museums in the United States, Latin America, Europe, and the Middle East.

Inhaltsverzeichnis
  • 1. Salpicón (Medley) and Compota (Sweetmeats): A Second Introduction
  • 2. Agitation or Construction?
  • 3. The Terms: "Indefinitions" and Differences
  • 4. Conceptual Art and Conceptualism in Latin America
  • 5. Simón Rodríguez
  • 6. The Tupamaros
  • 7. Tucumán arde: Politics in Art
  • 8. The Aftermath of Tucumán arde
  • 9. Figuration, Abstraction, and Meanings
  • 10. The Intellectual Context
  • 11. The Input of Pedagogy
  • 12. The Importance of Literature
  • 13. Poetry and Literature
  • 14. The Markers of Latin American Conceptualism
  • 15. Postpoetry
  • 16. Postfiguration
  • 17. Postpolitics
  • 18. The Destruction and Survival of Locality
  • 19. From Politics to Identity
  • 20. Diaspora
  • 21. The Historical Unfitting
  • 22. From Politics into Spectacle and Beyond
  • 23. Beyond Art
  • Notes
  • Bibliography
  • Index
Details
Erscheinungsjahr: 2007
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780292716292
ISBN-10: 029271629X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Camnitzer, Luis
Hersteller: University of Texas Press
Maße: 253 x 207 x 27 mm
Von/Mit: Luis Camnitzer
Erscheinungsdatum: 01.06.2007
Gewicht: 1,379 kg
Artikel-ID: 102120144
Über den Autor

Luis Camnitzer, an award-winning artist, essayist, and critic, is Professor Emeritus of Art at SUNY Old Westbury. He served as Viewing Program Curator at the Drawing Center in New York City from 1999 to 2006. His work is in the permanent collections of major museums in the United States, Latin America, Europe, and the Middle East.

Inhaltsverzeichnis
  • 1. Salpicón (Medley) and Compota (Sweetmeats): A Second Introduction
  • 2. Agitation or Construction?
  • 3. The Terms: "Indefinitions" and Differences
  • 4. Conceptual Art and Conceptualism in Latin America
  • 5. Simón Rodríguez
  • 6. The Tupamaros
  • 7. Tucumán arde: Politics in Art
  • 8. The Aftermath of Tucumán arde
  • 9. Figuration, Abstraction, and Meanings
  • 10. The Intellectual Context
  • 11. The Input of Pedagogy
  • 12. The Importance of Literature
  • 13. Poetry and Literature
  • 14. The Markers of Latin American Conceptualism
  • 15. Postpoetry
  • 16. Postfiguration
  • 17. Postpolitics
  • 18. The Destruction and Survival of Locality
  • 19. From Politics to Identity
  • 20. Diaspora
  • 21. The Historical Unfitting
  • 22. From Politics into Spectacle and Beyond
  • 23. Beyond Art
  • Notes
  • Bibliography
  • Index
Details
Erscheinungsjahr: 2007
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780292716292
ISBN-10: 029271629X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Camnitzer, Luis
Hersteller: University of Texas Press
Maße: 253 x 207 x 27 mm
Von/Mit: Luis Camnitzer
Erscheinungsdatum: 01.06.2007
Gewicht: 1,379 kg
Artikel-ID: 102120144
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