Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
43,55 €*
Versandkostenfrei per Post / DHL
Lieferzeit 1-2 Wochen
Kategorien:
Beschreibung
Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema.
Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema.
Über den Autor
Shane Denson is Associate Professor of Film and Media Studies at Stanford University and author of Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface.
Inhaltsverzeichnis
Acknowledgments ix
Introduction. Discorrelation and Post-cinema 1
Part I. Theorizing Discorrelation
1. Crazy Cameras 21
2. Dividuated Images 51
3. Screen Time 73
Part II. Making Sense of Discorrelation
4. Life to Those Pixels! 113
5. The Horrors of Discorrelation 153
6. Post-cinema after Extinction 193
Notes 237
Bibliography 277
Index 293
Introduction. Discorrelation and Post-cinema 1
Part I. Theorizing Discorrelation
1. Crazy Cameras 21
2. Dividuated Images 51
3. Screen Time 73
Part II. Making Sense of Discorrelation
4. Life to Those Pixels! 113
5. The Horrors of Discorrelation 153
6. Post-cinema after Extinction 193
Notes 237
Bibliography 277
Index 293
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781478010913 |
ISBN-10: | 1478010916 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Denson, Shane |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 230 x 155 x 30 mm |
Von/Mit: | Shane Denson |
Erscheinungsdatum: | 09.10.2020 |
Gewicht: | 0,432 kg |
Über den Autor
Shane Denson is Associate Professor of Film and Media Studies at Stanford University and author of Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface.
Inhaltsverzeichnis
Acknowledgments ix
Introduction. Discorrelation and Post-cinema 1
Part I. Theorizing Discorrelation
1. Crazy Cameras 21
2. Dividuated Images 51
3. Screen Time 73
Part II. Making Sense of Discorrelation
4. Life to Those Pixels! 113
5. The Horrors of Discorrelation 153
6. Post-cinema after Extinction 193
Notes 237
Bibliography 277
Index 293
Introduction. Discorrelation and Post-cinema 1
Part I. Theorizing Discorrelation
1. Crazy Cameras 21
2. Dividuated Images 51
3. Screen Time 73
Part II. Making Sense of Discorrelation
4. Life to Those Pixels! 113
5. The Horrors of Discorrelation 153
6. Post-cinema after Extinction 193
Notes 237
Bibliography 277
Index 293
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781478010913 |
ISBN-10: | 1478010916 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Denson, Shane |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 230 x 155 x 30 mm |
Von/Mit: | Shane Denson |
Erscheinungsdatum: | 09.10.2020 |
Gewicht: | 0,432 kg |
Sicherheitshinweis