Zur Startseite gehen
0,00 €*
Cover: 9780520288249 | Drawing the Line | The Early Work of Agnes Martin | Rosenberger | Buch
Dekorationsartikel gehören nicht zum Leistungsumfang.
Drawing the Line
The Early Work of Agnes Martin
Buch von Christina Bryan Rosenberger
Sprache: Englisch

55,60 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Kategorien:
Beschreibung
"Christina Rosenberger deftly orients Agnes Martin's 'inspiration' and facture toward an industrious past. Whilst dignifying Martin's desire to shield her audience from her more developmental and exploratory early career, Rosenberger maps a trajectory--fueled by ambition, erudition, and talent--toward the much-celebrated grid paintings of the 1960s. For the first time, Martin's surviving corpus of early work can be considered within the context of the various artistic communities she metabolized. Meticulous research and a genuine desire to 'see' has become Rosenberger's hallmark."--Rachel Barker, Modern and Contemporary Paintings Conservator, Tate "Biographical readings of Agnes Martin's work abound, but scholarship that focuses instead on close art historical analysis of its form and facture has been lacking. Drawing the Line reorients the reader to her art, in particular the early work of 1940 to 1967. In this important new book, Christina Rosenberger argues that the creative solutions and artistic relationships Martin developed in this period shape all of her later work, including the nonobjective grid paintings for which she is most renowned."--Michele Marincola, Sherman Fairchild Distinguished Professor of Conservation, Institute of Fine Arts, New York University "As the art of Agnes Martin assumes ever-greater importance, Christina Rosenberger's Drawing the Line arrives to provide a vividly empathetic picture of the complete artist. With graceful style and acute analytical intelligence, she makes Martin's formative work crucial and compelling for any understanding of the artist."--Thomas E. Crow, Institute of Fine Arts, New York University
"Christina Rosenberger deftly orients Agnes Martin's 'inspiration' and facture toward an industrious past. Whilst dignifying Martin's desire to shield her audience from her more developmental and exploratory early career, Rosenberger maps a trajectory--fueled by ambition, erudition, and talent--toward the much-celebrated grid paintings of the 1960s. For the first time, Martin's surviving corpus of early work can be considered within the context of the various artistic communities she metabolized. Meticulous research and a genuine desire to 'see' has become Rosenberger's hallmark."--Rachel Barker, Modern and Contemporary Paintings Conservator, Tate "Biographical readings of Agnes Martin's work abound, but scholarship that focuses instead on close art historical analysis of its form and facture has been lacking. Drawing the Line reorients the reader to her art, in particular the early work of 1940 to 1967. In this important new book, Christina Rosenberger argues that the creative solutions and artistic relationships Martin developed in this period shape all of her later work, including the nonobjective grid paintings for which she is most renowned."--Michele Marincola, Sherman Fairchild Distinguished Professor of Conservation, Institute of Fine Arts, New York University "As the art of Agnes Martin assumes ever-greater importance, Christina Rosenberger's Drawing the Line arrives to provide a vividly empathetic picture of the complete artist. With graceful style and acute analytical intelligence, she makes Martin's formative work crucial and compelling for any understanding of the artist."--Thomas E. Crow, Institute of Fine Arts, New York University
Über den Autor
Christina Bryan Rosenberger is an art historian living in Albuquerque, New Mexico. She is a contributor to Tate Modern's 2015 exhibition catalogue Agnes Martin and recently wrote on Martin's 1978 film Gabriel for Artforum. She has taught modern art at the University of New Mexico and has served as Research Coordinator for the Center for the Technical Study of Modern Art at the Harvard Art Museums.
Details
Erscheinungsjahr: 2016
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9780520288249
ISBN-10: 0520288246
Sprache: Englisch
Einband: Gebunden
Autor: Rosenberger, Christina Bryan
Hersteller: University of California Press
Maße: 261 x 182 x 22 mm
Von/Mit: Christina Bryan Rosenberger
Erscheinungsdatum: 19.07.2016
Gewicht: 0,838 kg
Artikel-ID: 121227800
Über den Autor
Christina Bryan Rosenberger is an art historian living in Albuquerque, New Mexico. She is a contributor to Tate Modern's 2015 exhibition catalogue Agnes Martin and recently wrote on Martin's 1978 film Gabriel for Artforum. She has taught modern art at the University of New Mexico and has served as Research Coordinator for the Center for the Technical Study of Modern Art at the Harvard Art Museums.
Details
Erscheinungsjahr: 2016
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9780520288249
ISBN-10: 0520288246
Sprache: Englisch
Einband: Gebunden
Autor: Rosenberger, Christina Bryan
Hersteller: University of California Press
Maße: 261 x 182 x 22 mm
Von/Mit: Christina Bryan Rosenberger
Erscheinungsdatum: 19.07.2016
Gewicht: 0,838 kg
Artikel-ID: 121227800
Warnhinweis

Ähnliche Produkte

Diese Website verwendet Cookies, um eine bestmögliche Erfahrung bieten zu können. Mehr Informationen ...