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A tape recorder. It is this device that served as the first electronic instrument to Jean-Michel Jarre: « My grandfather had given me a tape recorder and with my rock band, I recorded guitar solos that I was reversing, organ parts that I was slowing down. » Passionate about sound, the young Jarre applied to the Musical Research Group in 1968: 200 candidates present themselves for 4 places. Jean-Michel Jarre passes the exam and joins the GRM, which is then the best school in the world concerning electro-acoustic music.
Trained by Pierre Henry and Pierre Schaeffer, Jean-Michel Jarre discovers an innovative approach to music at the time. Speaking of Pierre Henry, JMJ said: « He is the first, with Pierre Schaeffer, who said that the music was not only made of notes based on music theory, but sounds and that we could go out with a microphone and go record the sound of the rain, the sound of the wind, and make music out of it. »
On leaving the GRM, Jean-Michel Jarre becomes a composer, lyricist, arranger and producer. And then in 1976, in his apartment turned into a home studio, he composes a record of instrumental music that nobody wants: Oxygène. Producer Francis Dreyfus accepts to release the album and it's a revolution. Thanks to this record, « He [Jean-Michel] has made millions of people discover electronic music! » Moby
From Lyon to Equinoxe Infinity, discover the story of one of the pioneers of electronic music.
Trained by Pierre Henry and Pierre Schaeffer, Jean-Michel Jarre discovers an innovative approach to music at the time. Speaking of Pierre Henry, JMJ said: « He is the first, with Pierre Schaeffer, who said that the music was not only made of notes based on music theory, but sounds and that we could go out with a microphone and go record the sound of the rain, the sound of the wind, and make music out of it. »
On leaving the GRM, Jean-Michel Jarre becomes a composer, lyricist, arranger and producer. And then in 1976, in his apartment turned into a home studio, he composes a record of instrumental music that nobody wants: Oxygène. Producer Francis Dreyfus accepts to release the album and it's a revolution. Thanks to this record, « He [Jean-Michel] has made millions of people discover electronic music! » Moby
From Lyon to Equinoxe Infinity, discover the story of one of the pioneers of electronic music.
A tape recorder. It is this device that served as the first electronic instrument to Jean-Michel Jarre: « My grandfather had given me a tape recorder and with my rock band, I recorded guitar solos that I was reversing, organ parts that I was slowing down. » Passionate about sound, the young Jarre applied to the Musical Research Group in 1968: 200 candidates present themselves for 4 places. Jean-Michel Jarre passes the exam and joins the GRM, which is then the best school in the world concerning electro-acoustic music.
Trained by Pierre Henry and Pierre Schaeffer, Jean-Michel Jarre discovers an innovative approach to music at the time. Speaking of Pierre Henry, JMJ said: « He is the first, with Pierre Schaeffer, who said that the music was not only made of notes based on music theory, but sounds and that we could go out with a microphone and go record the sound of the rain, the sound of the wind, and make music out of it. »
On leaving the GRM, Jean-Michel Jarre becomes a composer, lyricist, arranger and producer. And then in 1976, in his apartment turned into a home studio, he composes a record of instrumental music that nobody wants: Oxygène. Producer Francis Dreyfus accepts to release the album and it's a revolution. Thanks to this record, « He [Jean-Michel] has made millions of people discover electronic music! » Moby
From Lyon to Equinoxe Infinity, discover the story of one of the pioneers of electronic music.
Trained by Pierre Henry and Pierre Schaeffer, Jean-Michel Jarre discovers an innovative approach to music at the time. Speaking of Pierre Henry, JMJ said: « He is the first, with Pierre Schaeffer, who said that the music was not only made of notes based on music theory, but sounds and that we could go out with a microphone and go record the sound of the rain, the sound of the wind, and make music out of it. »
On leaving the GRM, Jean-Michel Jarre becomes a composer, lyricist, arranger and producer. And then in 1976, in his apartment turned into a home studio, he composes a record of instrumental music that nobody wants: Oxygène. Producer Francis Dreyfus accepts to release the album and it's a revolution. Thanks to this record, « He [Jean-Michel] has made millions of people discover electronic music! » Moby
From Lyon to Equinoxe Infinity, discover the story of one of the pioneers of electronic music.
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
Inhalt: |
236 S.
10 farbige Illustr. |
ISBN-13: | 9782849933404 |
ISBN-10: | 2849933406 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: |
Kern, Nicolas
Duguay, Michael |
Übersetzung: | Kern, Nicolas |
Hersteller: | Coëtquen Editions |
Maße: | 210 x 148 x 15 mm |
Von/Mit: | Nicolas Kern (u. a.) |
Erscheinungsdatum: | 04.04.2019 |
Gewicht: | 0,348 kg |
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
Inhalt: |
236 S.
10 farbige Illustr. |
ISBN-13: | 9782849933404 |
ISBN-10: | 2849933406 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: |
Kern, Nicolas
Duguay, Michael |
Übersetzung: | Kern, Nicolas |
Hersteller: | Coëtquen Editions |
Maße: | 210 x 148 x 15 mm |
Von/Mit: | Nicolas Kern (u. a.) |
Erscheinungsdatum: | 04.04.2019 |
Gewicht: | 0,348 kg |
Warnhinweis