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Examining the new and distinctive approaches of each of these thinkers, this book provides the most detailed account so far of their ideas.
It illuminates the six key concepts and demonstrates their value as tools for film analysis: the male gaze
the female voice
technologies of gender
queering desire
the monstrous-feminine
masculinity in crisis.
Testing their ideas with a number of other examples from contemporary cinema and TV, Shohini Chaudhuri shows how these four thinkers construct their theories through their reading of films.
An excellent study companion for all students of film theory and women's studies.
Examining the new and distinctive approaches of each of these thinkers, this book provides the most detailed account so far of their ideas.
It illuminates the six key concepts and demonstrates their value as tools for film analysis: the male gaze
the female voice
technologies of gender
queering desire
the monstrous-feminine
masculinity in crisis.
Testing their ideas with a number of other examples from contemporary cinema and TV, Shohini Chaudhuri shows how these four thinkers construct their theories through their reading of films.
An excellent study companion for all students of film theory and women's studies.
Shohini Chaudhuri is Lecturer in Contemporary Writing and Film at the University of Essex. Her articles have appeared in Screen, Camera Obscura, and Strategies: Journal of Theory, Culture and Politics. She has recently published a book called Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia (2005).
Acknowledgements Why Mulvey, Silverman, de Lauretis, and Creed?Key Ideas 1. Beginnings 2. The Male Gaze 3. The Female Voice 4. Technologies of Gender 5. Queering Desire 6. The Monstrous-Feminine 7. Masculinity in Crisis. After Mulvey, Silverman, de Lauretis, Creed.Further Reading Works Cited Index
Erscheinungsjahr: | 2006 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780415324335 |
ISBN-10: | 0415324335 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Chaudhuri, Shohini |
Hersteller: | Routledge |
Maße: | 198 x 129 x 9 mm |
Von/Mit: | Shohini Chaudhuri |
Erscheinungsdatum: | 24.08.2006 |
Gewicht: | 0,182 kg |
Shohini Chaudhuri is Lecturer in Contemporary Writing and Film at the University of Essex. Her articles have appeared in Screen, Camera Obscura, and Strategies: Journal of Theory, Culture and Politics. She has recently published a book called Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia (2005).
Acknowledgements Why Mulvey, Silverman, de Lauretis, and Creed?Key Ideas 1. Beginnings 2. The Male Gaze 3. The Female Voice 4. Technologies of Gender 5. Queering Desire 6. The Monstrous-Feminine 7. Masculinity in Crisis. After Mulvey, Silverman, de Lauretis, Creed.Further Reading Works Cited Index
Erscheinungsjahr: | 2006 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780415324335 |
ISBN-10: | 0415324335 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Chaudhuri, Shohini |
Hersteller: | Routledge |
Maße: | 198 x 129 x 9 mm |
Von/Mit: | Shohini Chaudhuri |
Erscheinungsdatum: | 24.08.2006 |
Gewicht: | 0,182 kg |