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A significant contribution on the development and aftermath of post¿World War II Concretism in Brazil
Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country¿s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today¿namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics.
The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil.
Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.
A significant contribution on the development and aftermath of post¿World War II Concretism in Brazil
Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country¿s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today¿namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics.
The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil.
Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.
Introduction
Architectural Mechanisms and Body Techniques: The 'Experiências' of Flávio de Carvalho
José T. Lira
Form and Sensibility: Discursive Discrepancies in Concrete and Neo-concrete Art
Michael Asbury
The Bauhaus in Brazil: Pedagogy and Practice
Adele Nelson
Grundlehre in Ulm: A Survey of Basic Design Teaching
Martin Mäntele
Twisting the Modernist Curve: Mary Vieira's Polyvolume: Meeting Point, 1960-1970
Luisa Valle
Lina Bo Bardi and the Creation of the School of Visual Arts in Parque Lage
Claudia Saldanha
Tropical Reason: The Making of a Counterculture in Brazil
Frederico Coelho
Favela Noh: Haroldo de Campos and Hélio Oiticica Meet at the Chelsea Hotel
Eduardo Jorge de Oliveira
"Epidermic" and Visceral Works: Lygia Pape and Anna Maria Maiolino
Claudia Calirman
Word-Drool: The Constructive Secretions of Lygia Clark
Antonio Sergio Bessa
Emil Forman: Removing the Silence of Things
Fernanda Lopes
The Funeral of Brazilian Modernism: Glauber Rocha and the Death of Di Cavalcanti
Marcos Augusto Gonçalves
Retrieval of the Illegible: Arno Holz and Sousândrade Revisited by Augusto de Campos and Haroldo de Campos
Simone Homem de Mello
The Wanderer, the Earth-Nature and History in The Work of Sousândrade and Paulo Nazareth
Eduardo Sterzi
Acknowledgments
List of Contributors
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780823289110 |
ISBN-10: | 0823289117 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: | Bessa, Antonio Sergio |
Hersteller: | Fordham University Press |
Maße: | 229 x 229 x 23 mm |
Von/Mit: | Antonio Sergio Bessa |
Erscheinungsdatum: | 09.02.2021 |
Gewicht: | 0,862 kg |
Introduction
Architectural Mechanisms and Body Techniques: The 'Experiências' of Flávio de Carvalho
José T. Lira
Form and Sensibility: Discursive Discrepancies in Concrete and Neo-concrete Art
Michael Asbury
The Bauhaus in Brazil: Pedagogy and Practice
Adele Nelson
Grundlehre in Ulm: A Survey of Basic Design Teaching
Martin Mäntele
Twisting the Modernist Curve: Mary Vieira's Polyvolume: Meeting Point, 1960-1970
Luisa Valle
Lina Bo Bardi and the Creation of the School of Visual Arts in Parque Lage
Claudia Saldanha
Tropical Reason: The Making of a Counterculture in Brazil
Frederico Coelho
Favela Noh: Haroldo de Campos and Hélio Oiticica Meet at the Chelsea Hotel
Eduardo Jorge de Oliveira
"Epidermic" and Visceral Works: Lygia Pape and Anna Maria Maiolino
Claudia Calirman
Word-Drool: The Constructive Secretions of Lygia Clark
Antonio Sergio Bessa
Emil Forman: Removing the Silence of Things
Fernanda Lopes
The Funeral of Brazilian Modernism: Glauber Rocha and the Death of Di Cavalcanti
Marcos Augusto Gonçalves
Retrieval of the Illegible: Arno Holz and Sousândrade Revisited by Augusto de Campos and Haroldo de Campos
Simone Homem de Mello
The Wanderer, the Earth-Nature and History in The Work of Sousândrade and Paulo Nazareth
Eduardo Sterzi
Acknowledgments
List of Contributors
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780823289110 |
ISBN-10: | 0823289117 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: | Bessa, Antonio Sergio |
Hersteller: | Fordham University Press |
Maße: | 229 x 229 x 23 mm |
Von/Mit: | Antonio Sergio Bessa |
Erscheinungsdatum: | 09.02.2021 |
Gewicht: | 0,862 kg |