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Harrison Birtwistle's Operas and Music Theatre
Taschenbuch von David Beard
Sprache: Englisch

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Beschreibung
A definitive source study of the stage works of Harrison Birtwistle, one of Britain's foremost living composers.
A definitive source study of the stage works of Harrison Birtwistle, one of Britain's foremost living composers.
Über den Autor
David Beard is Senior Lecturer in Music at Cardiff University, where he is Director of the MA programme in Musicology. He has published widely on the music of Harrison Birtwistle in academic journals, including Music Analysis, the Cambridge Opera Journal and Twentieth-Century Music, and in notes for concerts and opera festivals. He has contributed to Peter Maxwell Davies Studies, Ancient Drama in Music for the Modern Stage and Dichotonies: Gender and Music, and he is the co-author of Musicology: The Key Concepts.
Inhaltsverzeichnis
1. The roots of Birtwistle's theatrical expression: from Pantomime to Down by the Greenwood Side; 2. Punch and Judy: parody, allusion, and the grotesque; 3. The Mask of Orpheus: 'lyrical formalism', time and narrative; 4. Yan Tan Tethera: pastoral labyrinths and the scene-agent ratio; 5. The shadow of opera: dramatic narrative and musical discourse in Gawain; 6. 'A face like music': shaping images into sound in The Second Mrs Kong; 7. Corporeal music: Bow Down, The Io Passion and The Corridor; 8. The Last Supper and The Minotaur: eyes 'half filled and half deserted'; Bibliography.
Details
Medium: Taschenbuch
ISBN-13: 9781316641989
ISBN-10: 1316641988
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Beard, David
Hersteller: Cambridge University Press
Maße: 244 x 170 x 26 mm
Von/Mit: David Beard
Erscheinungsdatum: 14.09.2016
Gewicht: 0,834 kg
Artikel-ID: 108157669
Über den Autor
David Beard is Senior Lecturer in Music at Cardiff University, where he is Director of the MA programme in Musicology. He has published widely on the music of Harrison Birtwistle in academic journals, including Music Analysis, the Cambridge Opera Journal and Twentieth-Century Music, and in notes for concerts and opera festivals. He has contributed to Peter Maxwell Davies Studies, Ancient Drama in Music for the Modern Stage and Dichotonies: Gender and Music, and he is the co-author of Musicology: The Key Concepts.
Inhaltsverzeichnis
1. The roots of Birtwistle's theatrical expression: from Pantomime to Down by the Greenwood Side; 2. Punch and Judy: parody, allusion, and the grotesque; 3. The Mask of Orpheus: 'lyrical formalism', time and narrative; 4. Yan Tan Tethera: pastoral labyrinths and the scene-agent ratio; 5. The shadow of opera: dramatic narrative and musical discourse in Gawain; 6. 'A face like music': shaping images into sound in The Second Mrs Kong; 7. Corporeal music: Bow Down, The Io Passion and The Corridor; 8. The Last Supper and The Minotaur: eyes 'half filled and half deserted'; Bibliography.
Details
Medium: Taschenbuch
ISBN-13: 9781316641989
ISBN-10: 1316641988
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Beard, David
Hersteller: Cambridge University Press
Maße: 244 x 170 x 26 mm
Von/Mit: David Beard
Erscheinungsdatum: 14.09.2016
Gewicht: 0,834 kg
Artikel-ID: 108157669
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