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Cover: 9781474448796 | Hollywood Remakes of Iconic British Films | Class, Gender and Stardom
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Hollywood Remakes of Iconic British Films
Class, Gender and Stardom
Taschenbuch von Agnieszka Rasmus
Sprache: Englisch

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Beschreibung
Hollywood Remakes of Iconic British Films: Class, Gender and Stardom investigates film remaking from the unique perspective of cross-cultural exchange between two countries who share a common language and history in film cooperation. Each chapter discusses classic British films connected by the same star, genre and theme to trace the change from 1960s optimism to the despondency of the 1970s. Rasmus scrutinizes millennial remakes to show how they transform the representation of class, gender and stardom to comply with industrial trends and appeal to a twenty-first century global audience. Case studies include Alfie (1966; 2004), Bedazzled (1967; 2000), The Italian Job (1969; 2003), Get Carter (1971; 2000), Sleuth (1972; 2007), The Wicker Man (1973; 2006) as well as The Limey (1999). Agnieszka Rasmus is Assistant Professor in the Department of English Studies in Drama, Theatre and Film, University of Lódź, Poland. She is the author of Filming Shakespeare, from Metatheatre to Metacinema (2008) and numerous articles on film remakes and adaptations.
Hollywood Remakes of Iconic British Films: Class, Gender and Stardom investigates film remaking from the unique perspective of cross-cultural exchange between two countries who share a common language and history in film cooperation. Each chapter discusses classic British films connected by the same star, genre and theme to trace the change from 1960s optimism to the despondency of the 1970s. Rasmus scrutinizes millennial remakes to show how they transform the representation of class, gender and stardom to comply with industrial trends and appeal to a twenty-first century global audience. Case studies include Alfie (1966; 2004), Bedazzled (1967; 2000), The Italian Job (1969; 2003), Get Carter (1971; 2000), Sleuth (1972; 2007), The Wicker Man (1973; 2006) as well as The Limey (1999). Agnieszka Rasmus is Assistant Professor in the Department of English Studies in Drama, Theatre and Film, University of Lódź, Poland. She is the author of Filming Shakespeare, from Metatheatre to Metacinema (2008) and numerous articles on film remakes and adaptations.
Über den Autor

Agnieszka Rasmus is Assistant Professor in the Department of English Studies in Drama, Theatre and Film, University of Lódź, Poland. She is the author of Filming Shakespeare, from Metatheatre to Metacinema (2008) and numerous articles on film remakes and adaptations.

Details
Erscheinungsjahr: 2024
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781474448796
ISBN-10: 1474448798
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rasmus, Agnieszka
Hersteller: Edinburgh University Press
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 231 x 154 x 10 mm
Von/Mit: Agnieszka Rasmus
Erscheinungsdatum: 31.05.2024
Gewicht: 0,292 kg
Artikel-ID: 128560614
Über den Autor

Agnieszka Rasmus is Assistant Professor in the Department of English Studies in Drama, Theatre and Film, University of Lódź, Poland. She is the author of Filming Shakespeare, from Metatheatre to Metacinema (2008) and numerous articles on film remakes and adaptations.

Details
Erscheinungsjahr: 2024
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781474448796
ISBN-10: 1474448798
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rasmus, Agnieszka
Hersteller: Edinburgh University Press
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 231 x 154 x 10 mm
Von/Mit: Agnieszka Rasmus
Erscheinungsdatum: 31.05.2024
Gewicht: 0,292 kg
Artikel-ID: 128560614
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