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Beschreibung
LIST OF ILLUSTRATIONS
ACKNOWLEDGEMENTS
INTRODUCTION: Images of the Wounded Mouth
Concept and Purpose
The Loss of Language and the Absence of Speech
Outline of Chapters
PART I: TONGUE-TIED
TONGUE-TIED: INTRODUCTION
Methodology
Structure
CHAPTER ONE: Vitiated Voices in Jones's Sorry
Western Trauma
Insidious Trauma
Affective Ties
CHAPTER TWO: Audible Crying in Miller's REwind
Western Trauma Theory
Insidious Trauma
Affective Ties/Cries
CHAPTER THREE: Silent Weeping in Searle's Mute
Western Trauma
Insidious Trauma
Affective Ties
TONGUE-TIED: CONCLUSION - De Kok's A Room Full of Questions
PART II: MUTED MOUTHS
MUTED MOUTHS: INTRODUCTION
Methodology
Structure
CHAPTER FOUR: Muzzled Mouths
Bailey's "Still-life with Negro"
Aestheticized Horror
The Returned Gaze
Framing the Victim
Lôbo's Iron Mask, White Torture
Anastácia's Gaze
Taking off the Muzzle
The Female Black Panther
Speech as Resistance
Conclusion: An Entangled History of Black Female
Empowerment
CHAPTER FIVE: Sealed Lips
Bailey's "Survival of the Fittest"
Ethnography
Social Darwinism
Contemporary Migration Policies
Al Assad's "Asylum" in Dialogue with Parr's Close the Concentration Camps
The Refugee Camp as a Zone of Indistinction
Homo Sacer as a Threat
Denial of a Shared Humanity
CHAPTER SIX: Suffocating Silence
Waterboarding and the Perpetuation of Victimization
The South African TRC and the Jeffrey Benzien Amnesty
Hearing
The Ticking Bomb Threat and the Global War on Terror
The Loss of Humanity
An Exception to the Exception - Empowering Protest
Questioning the State of Exception: Yazir Henry
World Can't Wait: Turning the Threat Inside Out
De Kok's "What kind of man?" and the Loss of Humanity
MUTED MOUTHS: CONCLUSION
CONCLUSION: The Cut-Off Tongue
APPENDIX
"Tongue-Tied" by Ingrid de Kok from Terrestial Things (2002)
"The Archbishop chairs the first session" by Ingrid de Kok from Terrestial Things (2002)
"The transcriber speaks" by Ingrid de Kok from Terrestial Things (2002)
"Sorry Song" (1998; 2007) by Kerry Fletcher
South Africa's national anthem "Nkosi sikelel' iAfrika" (1997)
"Beasts of No Nation" (1989) by Fela Kuti
"On My Way Out I Passed Over You and the Verrazano Bridge" (1986) by Audre Lorde
BIBLIOGRAPHY
PRIMARY SOURCES
Literary texts
Artworks
Music
Films / TV series
SECONDARY SOURCES
ACKNOWLEDGEMENTS
INTRODUCTION: Images of the Wounded Mouth
Concept and Purpose
The Loss of Language and the Absence of Speech
Outline of Chapters
PART I: TONGUE-TIED
TONGUE-TIED: INTRODUCTION
Methodology
Structure
CHAPTER ONE: Vitiated Voices in Jones's Sorry
Western Trauma
Insidious Trauma
Affective Ties
CHAPTER TWO: Audible Crying in Miller's REwind
Western Trauma Theory
Insidious Trauma
Affective Ties/Cries
CHAPTER THREE: Silent Weeping in Searle's Mute
Western Trauma
Insidious Trauma
Affective Ties
TONGUE-TIED: CONCLUSION - De Kok's A Room Full of Questions
PART II: MUTED MOUTHS
MUTED MOUTHS: INTRODUCTION
Methodology
Structure
CHAPTER FOUR: Muzzled Mouths
Bailey's "Still-life with Negro"
Aestheticized Horror
The Returned Gaze
Framing the Victim
Lôbo's Iron Mask, White Torture
Anastácia's Gaze
Taking off the Muzzle
The Female Black Panther
Speech as Resistance
Conclusion: An Entangled History of Black Female
Empowerment
CHAPTER FIVE: Sealed Lips
Bailey's "Survival of the Fittest"
Ethnography
Social Darwinism
Contemporary Migration Policies
Al Assad's "Asylum" in Dialogue with Parr's Close the Concentration Camps
The Refugee Camp as a Zone of Indistinction
Homo Sacer as a Threat
Denial of a Shared Humanity
CHAPTER SIX: Suffocating Silence
Waterboarding and the Perpetuation of Victimization
The South African TRC and the Jeffrey Benzien Amnesty
Hearing
The Ticking Bomb Threat and the Global War on Terror
The Loss of Humanity
An Exception to the Exception - Empowering Protest
Questioning the State of Exception: Yazir Henry
World Can't Wait: Turning the Threat Inside Out
De Kok's "What kind of man?" and the Loss of Humanity
MUTED MOUTHS: CONCLUSION
CONCLUSION: The Cut-Off Tongue
APPENDIX
"Tongue-Tied" by Ingrid de Kok from Terrestial Things (2002)
"The Archbishop chairs the first session" by Ingrid de Kok from Terrestial Things (2002)
"The transcriber speaks" by Ingrid de Kok from Terrestial Things (2002)
"Sorry Song" (1998; 2007) by Kerry Fletcher
South Africa's national anthem "Nkosi sikelel' iAfrika" (1997)
"Beasts of No Nation" (1989) by Fela Kuti
"On My Way Out I Passed Over You and the Verrazano Bridge" (1986) by Audre Lorde
BIBLIOGRAPHY
PRIMARY SOURCES
Literary texts
Artworks
Music
Films / TV series
SECONDARY SOURCES
LIST OF ILLUSTRATIONS
ACKNOWLEDGEMENTS
INTRODUCTION: Images of the Wounded Mouth
Concept and Purpose
The Loss of Language and the Absence of Speech
Outline of Chapters
PART I: TONGUE-TIED
TONGUE-TIED: INTRODUCTION
Methodology
Structure
CHAPTER ONE: Vitiated Voices in Jones's Sorry
Western Trauma
Insidious Trauma
Affective Ties
CHAPTER TWO: Audible Crying in Miller's REwind
Western Trauma Theory
Insidious Trauma
Affective Ties/Cries
CHAPTER THREE: Silent Weeping in Searle's Mute
Western Trauma
Insidious Trauma
Affective Ties
TONGUE-TIED: CONCLUSION - De Kok's A Room Full of Questions
PART II: MUTED MOUTHS
MUTED MOUTHS: INTRODUCTION
Methodology
Structure
CHAPTER FOUR: Muzzled Mouths
Bailey's "Still-life with Negro"
Aestheticized Horror
The Returned Gaze
Framing the Victim
Lôbo's Iron Mask, White Torture
Anastácia's Gaze
Taking off the Muzzle
The Female Black Panther
Speech as Resistance
Conclusion: An Entangled History of Black Female
Empowerment
CHAPTER FIVE: Sealed Lips
Bailey's "Survival of the Fittest"
Ethnography
Social Darwinism
Contemporary Migration Policies
Al Assad's "Asylum" in Dialogue with Parr's Close the Concentration Camps
The Refugee Camp as a Zone of Indistinction
Homo Sacer as a Threat
Denial of a Shared Humanity
CHAPTER SIX: Suffocating Silence
Waterboarding and the Perpetuation of Victimization
The South African TRC and the Jeffrey Benzien Amnesty
Hearing
The Ticking Bomb Threat and the Global War on Terror
The Loss of Humanity
An Exception to the Exception - Empowering Protest
Questioning the State of Exception: Yazir Henry
World Can't Wait: Turning the Threat Inside Out
De Kok's "What kind of man?" and the Loss of Humanity
MUTED MOUTHS: CONCLUSION
CONCLUSION: The Cut-Off Tongue
APPENDIX
"Tongue-Tied" by Ingrid de Kok from Terrestial Things (2002)
"The Archbishop chairs the first session" by Ingrid de Kok from Terrestial Things (2002)
"The transcriber speaks" by Ingrid de Kok from Terrestial Things (2002)
"Sorry Song" (1998; 2007) by Kerry Fletcher
South Africa's national anthem "Nkosi sikelel' iAfrika" (1997)
"Beasts of No Nation" (1989) by Fela Kuti
"On My Way Out I Passed Over You and the Verrazano Bridge" (1986) by Audre Lorde
BIBLIOGRAPHY
PRIMARY SOURCES
Literary texts
Artworks
Music
Films / TV series
SECONDARY SOURCES
ACKNOWLEDGEMENTS
INTRODUCTION: Images of the Wounded Mouth
Concept and Purpose
The Loss of Language and the Absence of Speech
Outline of Chapters
PART I: TONGUE-TIED
TONGUE-TIED: INTRODUCTION
Methodology
Structure
CHAPTER ONE: Vitiated Voices in Jones's Sorry
Western Trauma
Insidious Trauma
Affective Ties
CHAPTER TWO: Audible Crying in Miller's REwind
Western Trauma Theory
Insidious Trauma
Affective Ties/Cries
CHAPTER THREE: Silent Weeping in Searle's Mute
Western Trauma
Insidious Trauma
Affective Ties
TONGUE-TIED: CONCLUSION - De Kok's A Room Full of Questions
PART II: MUTED MOUTHS
MUTED MOUTHS: INTRODUCTION
Methodology
Structure
CHAPTER FOUR: Muzzled Mouths
Bailey's "Still-life with Negro"
Aestheticized Horror
The Returned Gaze
Framing the Victim
Lôbo's Iron Mask, White Torture
Anastácia's Gaze
Taking off the Muzzle
The Female Black Panther
Speech as Resistance
Conclusion: An Entangled History of Black Female
Empowerment
CHAPTER FIVE: Sealed Lips
Bailey's "Survival of the Fittest"
Ethnography
Social Darwinism
Contemporary Migration Policies
Al Assad's "Asylum" in Dialogue with Parr's Close the Concentration Camps
The Refugee Camp as a Zone of Indistinction
Homo Sacer as a Threat
Denial of a Shared Humanity
CHAPTER SIX: Suffocating Silence
Waterboarding and the Perpetuation of Victimization
The South African TRC and the Jeffrey Benzien Amnesty
Hearing
The Ticking Bomb Threat and the Global War on Terror
The Loss of Humanity
An Exception to the Exception - Empowering Protest
Questioning the State of Exception: Yazir Henry
World Can't Wait: Turning the Threat Inside Out
De Kok's "What kind of man?" and the Loss of Humanity
MUTED MOUTHS: CONCLUSION
CONCLUSION: The Cut-Off Tongue
APPENDIX
"Tongue-Tied" by Ingrid de Kok from Terrestial Things (2002)
"The Archbishop chairs the first session" by Ingrid de Kok from Terrestial Things (2002)
"The transcriber speaks" by Ingrid de Kok from Terrestial Things (2002)
"Sorry Song" (1998; 2007) by Kerry Fletcher
South Africa's national anthem "Nkosi sikelel' iAfrika" (1997)
"Beasts of No Nation" (1989) by Fela Kuti
"On My Way Out I Passed Over You and the Verrazano Bridge" (1986) by Audre Lorde
BIBLIOGRAPHY
PRIMARY SOURCES
Literary texts
Artworks
Music
Films / TV series
SECONDARY SOURCES
Details
Erscheinungsjahr: | 2020 |
---|---|
Rubrik: | Sprachwissenschaft |
Medium: | Buch |
Titelzusatz: | Dissonant Approaches to Trauma in Literary, Visual and Performance Cultures, Challenges 7, Herausforderungen für die Geisteswissenschaft |
Inhalt: | 270 S. |
ISBN-13: | 9783823384120 |
ISBN-10: | 3823384120 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Pavlov-West, Tatjana |
Auflage: | 1/2020 |
narr im narr francke attempto verlag: | Narr im Narr Francke Attempto Verlag |
Maße: | 226 x 156 x 25 mm |
Von/Mit: | Tatjana Pavlov-West |
Erscheinungsdatum: | 23.11.2020 |
Gewicht: | 0,519 kg |
Details
Erscheinungsjahr: | 2020 |
---|---|
Rubrik: | Sprachwissenschaft |
Medium: | Buch |
Titelzusatz: | Dissonant Approaches to Trauma in Literary, Visual and Performance Cultures, Challenges 7, Herausforderungen für die Geisteswissenschaft |
Inhalt: | 270 S. |
ISBN-13: | 9783823384120 |
ISBN-10: | 3823384120 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Pavlov-West, Tatjana |
Auflage: | 1/2020 |
narr im narr francke attempto verlag: | Narr im Narr Francke Attempto Verlag |
Maße: | 226 x 156 x 25 mm |
Von/Mit: | Tatjana Pavlov-West |
Erscheinungsdatum: | 23.11.2020 |
Gewicht: | 0,519 kg |
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