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Cover: 9781839022821 | Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles | Fowler | Buch
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Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles
Taschenbuch von Catherine Fowler
Sprache: Englisch

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Beschreibung
"Lucid, lively and extremely knowledgeable." Sight & Sound

Catherine Fowler's study positions Jeanne Dielman as a 'contrary' classic, its contrariness arising from director Chantal
Akerman's decision to frame an unliberated housewife through a kind of 'slow looking'. By choosing to stay with Jeanne in the kitchen, the film both 'differences' the canon and diverges from Akerman's liberated early films, which involved the rejection of domestic space, married life and the heterosexual script.

Fowler draws on original footage, scripts, unmade and unseen projects, interviews and other documents to painstakingly piece together the making of the film, discovering an alternative origin story which centers upon female alliances, forged through a combination of shared film culture and lived sexism. Those viewers who take up Akerman's invitation to spend time with Jeanne will find their expectations of cinema are changed. Because more than any other film before or since, it reminds us that we give our time to a film; and in making us look both harder and for longer it asks us to feel time slipping away, for ourselves as much as for its protagonist.
"Lucid, lively and extremely knowledgeable." Sight & Sound

Catherine Fowler's study positions Jeanne Dielman as a 'contrary' classic, its contrariness arising from director Chantal
Akerman's decision to frame an unliberated housewife through a kind of 'slow looking'. By choosing to stay with Jeanne in the kitchen, the film both 'differences' the canon and diverges from Akerman's liberated early films, which involved the rejection of domestic space, married life and the heterosexual script.

Fowler draws on original footage, scripts, unmade and unseen projects, interviews and other documents to painstakingly piece together the making of the film, discovering an alternative origin story which centers upon female alliances, forged through a combination of shared film culture and lived sexism. Those viewers who take up Akerman's invitation to spend time with Jeanne will find their expectations of cinema are changed. Because more than any other film before or since, it reminds us that we give our time to a film; and in making us look both harder and for longer it asks us to feel time slipping away, for ourselves as much as for its protagonist.
Über den Autor
Dr Catherine Fowler is the Associate Professor in Film at the University of Otago, New Zealand. She has been a student of Chantal Akerman's cinema for some twenty five years, having written her PhD on Akerman's 'cinema of displacements' and published aspects of it in various edited collections. Her most recent book on British film-maker Sally Potter, published 2008, offers the first book length survey of a director who uses song, dance, performance and poetry to expand our experience of cinema beyond the audiovisual.
Zusammenfassung
Richly illustrated with 60 colour screengrabs and stills
Inhaltsverzeichnis
Acknowledgments
1. On Canons, Classics, Plots and Movie Theatres: A Challenge
2. The Making of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
3. Choosing NO Liberation: The Housewife, Feminism and the Women's Movement
4. Delphine Does the Dishes
5. Slow Looking
Notes
Credits
Details
Erscheinungsjahr: 2021
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Reihe: BFI Film Classics
ISBN-13: 9781839022821
ISBN-10: 1839022825
Sprache: Englisch
Herstellernummer: 507610
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Fowler, Catherine
Hersteller: Bloomsbury Academic
British Film Institute
Abbildungen: 60 colour illus
Maße: 188 x 135 x 7 mm
Von/Mit: Catherine Fowler
Erscheinungsdatum: 18.11.2021
Gewicht: 0,155 kg
Artikel-ID: 119670050
Über den Autor
Dr Catherine Fowler is the Associate Professor in Film at the University of Otago, New Zealand. She has been a student of Chantal Akerman's cinema for some twenty five years, having written her PhD on Akerman's 'cinema of displacements' and published aspects of it in various edited collections. Her most recent book on British film-maker Sally Potter, published 2008, offers the first book length survey of a director who uses song, dance, performance and poetry to expand our experience of cinema beyond the audiovisual.
Zusammenfassung
Richly illustrated with 60 colour screengrabs and stills
Inhaltsverzeichnis
Acknowledgments
1. On Canons, Classics, Plots and Movie Theatres: A Challenge
2. The Making of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
3. Choosing NO Liberation: The Housewife, Feminism and the Women's Movement
4. Delphine Does the Dishes
5. Slow Looking
Notes
Credits
Details
Erscheinungsjahr: 2021
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Reihe: BFI Film Classics
ISBN-13: 9781839022821
ISBN-10: 1839022825
Sprache: Englisch
Herstellernummer: 507610
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Fowler, Catherine
Hersteller: Bloomsbury Academic
British Film Institute
Abbildungen: 60 colour illus
Maße: 188 x 135 x 7 mm
Von/Mit: Catherine Fowler
Erscheinungsdatum: 18.11.2021
Gewicht: 0,155 kg
Artikel-ID: 119670050
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