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Beschreibung
Dr. Shaffer outlines the development of the 'mythological school' of European Biblical criticism, especially its German origins and its reception in England, and studies the influences of this movement in the work of specific writers: Coleridge, Holderlin, Browning, and George Eliot.
The 'higher criticism' treated sacred scripture as literature and as history, the product of its time, and the highest expression of a developing group consciousness; it challenged current views on the authorship and dating of the Pentateuch and the Gospels, on inspiration, prophecy, and canonicity, and formulated a new apologetics closely linked with the growth of romantic aesthetics.
The importance of this study is that it shows that readings of specific literary texts can intersect with general movements of thought and action through the scrutiny of a clearly defined intellectual discipline, here the higher criticism, which developed as a particular expression of the larger trends in the history of the period. Dr Shaffer throws light on individual works of literature, the formation of movements, the origin of new genres, literary relationships between England and Germany, and the bases of European romanticism.
The 'higher criticism' treated sacred scripture as literature and as history, the product of its time, and the highest expression of a developing group consciousness; it challenged current views on the authorship and dating of the Pentateuch and the Gospels, on inspiration, prophecy, and canonicity, and formulated a new apologetics closely linked with the growth of romantic aesthetics.
The importance of this study is that it shows that readings of specific literary texts can intersect with general movements of thought and action through the scrutiny of a clearly defined intellectual discipline, here the higher criticism, which developed as a particular expression of the larger trends in the history of the period. Dr Shaffer throws light on individual works of literature, the formation of movements, the origin of new genres, literary relationships between England and Germany, and the bases of European romanticism.
Dr. Shaffer outlines the development of the 'mythological school' of European Biblical criticism, especially its German origins and its reception in England, and studies the influences of this movement in the work of specific writers: Coleridge, Holderlin, Browning, and George Eliot.
The 'higher criticism' treated sacred scripture as literature and as history, the product of its time, and the highest expression of a developing group consciousness; it challenged current views on the authorship and dating of the Pentateuch and the Gospels, on inspiration, prophecy, and canonicity, and formulated a new apologetics closely linked with the growth of romantic aesthetics.
The importance of this study is that it shows that readings of specific literary texts can intersect with general movements of thought and action through the scrutiny of a clearly defined intellectual discipline, here the higher criticism, which developed as a particular expression of the larger trends in the history of the period. Dr Shaffer throws light on individual works of literature, the formation of movements, the origin of new genres, literary relationships between England and Germany, and the bases of European romanticism.
The 'higher criticism' treated sacred scripture as literature and as history, the product of its time, and the highest expression of a developing group consciousness; it challenged current views on the authorship and dating of the Pentateuch and the Gospels, on inspiration, prophecy, and canonicity, and formulated a new apologetics closely linked with the growth of romantic aesthetics.
The importance of this study is that it shows that readings of specific literary texts can intersect with general movements of thought and action through the scrutiny of a clearly defined intellectual discipline, here the higher criticism, which developed as a particular expression of the larger trends in the history of the period. Dr Shaffer throws light on individual works of literature, the formation of movements, the origin of new genres, literary relationships between England and Germany, and the bases of European romanticism.
Inhaltsverzeichnis
Acknowledgements; Introduction; 1. The Fall of Jerusalem: Coleridge's unwritten epic; 2. The visionary character: revelation and the lyrical ballad; 3. The oriental idyll; 4. Hölderlin's 'Patmos' ode and 'Kubla Khan': mythological doubling; 5. Browning's St John: the casuistry of the higher criticism; 6. Daniel Deronda and the conventions of fiction; Appendices; Notes; Select bibliography; Index.
Details
Erscheinungsjahr: | 1980 |
---|---|
Genre: | Allgemeine Lexika, Importe |
Rubrik: | Literaturwissenschaft |
Medium: | Taschenbuch |
ISBN-13: | 9780521298070 |
ISBN-10: | 0521298075 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Shaffer, E. S. |
Hersteller: | Cambridge University Press |
Maße: | 229 x 152 x 22 mm |
Von/Mit: | E. S. Shaffer |
Erscheinungsdatum: | 19.06.1980 |
Gewicht: | 0,603 kg |
Inhaltsverzeichnis
Acknowledgements; Introduction; 1. The Fall of Jerusalem: Coleridge's unwritten epic; 2. The visionary character: revelation and the lyrical ballad; 3. The oriental idyll; 4. Hölderlin's 'Patmos' ode and 'Kubla Khan': mythological doubling; 5. Browning's St John: the casuistry of the higher criticism; 6. Daniel Deronda and the conventions of fiction; Appendices; Notes; Select bibliography; Index.
Details
Erscheinungsjahr: | 1980 |
---|---|
Genre: | Allgemeine Lexika, Importe |
Rubrik: | Literaturwissenschaft |
Medium: | Taschenbuch |
ISBN-13: | 9780521298070 |
ISBN-10: | 0521298075 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Shaffer, E. S. |
Hersteller: | Cambridge University Press |
Maße: | 229 x 152 x 22 mm |
Von/Mit: | E. S. Shaffer |
Erscheinungsdatum: | 19.06.1980 |
Gewicht: | 0,603 kg |
Warnhinweis