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This book is a comprehensive study of Nordic Noir television drama from the 1990¿s until today. The authors introduce the history of contemporary Nordic Noir from the perspective of place, production and location studies. The chapters include readings of well-known television crime dramas such as Beck, The Killing, Trapped and The Bridge as well as a range of other important Nordic Noir cases. The authors position the development of Nordic Noir in the global market for popular television drama and place the international attention towards Nordic crime dramas within regional development of drama production in Sweden, Denmark, Norway and Iceland. Consequently, Nordic Noir is read as both a transnational financial and creative phenomenon and as a local possibility for community building. Offering a comprehensible, scholarly and methodologically original approach to the popularity of Nordic television crime dramas, this volume is aimed at readers with an in
terest in crime drama as well as scholars and students of television drama.
This book is a comprehensive study of Nordic Noir television drama from the 1990¿s until today. The authors introduce the history of contemporary Nordic Noir from the perspective of place, production and location studies. The chapters include readings of well-known television crime dramas such as Beck, The Killing, Trapped and The Bridge as well as a range of other important Nordic Noir cases. The authors position the development of Nordic Noir in the global market for popular television drama and place the international attention towards Nordic crime dramas within regional development of drama production in Sweden, Denmark, Norway and Iceland. Consequently, Nordic Noir is read as both a transnational financial and creative phenomenon and as a local possibility for community building. Offering a comprehensible, scholarly and methodologically original approach to the popularity of Nordic television crime dramas, this volume is aimed at readers with an in
terest in crime drama as well as scholars and students of television drama.
Über den Autor
Kim Toft Hansen is Associate Professor of Scandinavian Media Studies at Aalborg University, Denmark. His research has focussed on Scandinavian crime fiction, written and audio-visual, and media production studies with special attention towards relationships between local and global media. He has published extensively on crime fiction and Danish film and television.
Anne Marit Waade is Associate Professor of Media & Journalism, Aarhus University, Denmark. Her research has focused on creative industry and promotional culture, locations in television productions, the export of Danish television drama and media tourism. She has published extensively on Danish television drama, mediated places and tourism.
Anne Marit Waade is Associate Professor of Media & Journalism, Aarhus University, Denmark. Her research has focused on creative industry and promotional culture, locations in television productions, the export of Danish television drama and media tourism. She has published extensively on Danish television drama, mediated places and tourism.
Zusammenfassung
The first comprehensive history of contemporary Nordic Noir
Introduces the new method of 'location studies'
Places Nordic television drama within a global world
Includes supplementary material: [...]
Inhaltsverzeichnis
1. Introduction: Where is Nordic Noir?.- 2. Part I: Local colour and location studies - Local colour and places on screen.- 3. Location studies: a topography of Nordic noir.- 4. Four perspectives on the Nordic region.- 5. Part II: From bestsellers to blockbusters - Stieg Larsson and Scandinavian crime literature as a stepping stone.- 6.
Beck
and character adaptations.- 7. Funding models and increasing transnationalism.- 8. Part III: Written for the Danish screen -
The Killing
and DR's Danish model.- 9.
Norskov
and Danish commercial public service drama.- 10.
The Team
, Danish transnationalism and the local colour of Europe.- 11. Part IV: Written for the Nordic screen -
Blue Eyes
and the rise of the Swedish original.- 12.
Trapped
and original Noir from Iceland and Norway.- 13. The Bridge, transnational co-productions and screen tourism.- 14. Conclusion: Nordic Noir beyond the Nordic.
Beck
and character adaptations.- 7. Funding models and increasing transnationalism.- 8. Part III: Written for the Danish screen -
The Killing
and DR's Danish model.- 9.
Norskov
and Danish commercial public service drama.- 10.
The Team
, Danish transnationalism and the local colour of Europe.- 11. Part IV: Written for the Nordic screen -
Blue Eyes
and the rise of the Swedish original.- 12.
Trapped
and original Noir from Iceland and Norway.- 13. The Bridge, transnational co-productions and screen tourism.- 14. Conclusion: Nordic Noir beyond the Nordic.
Details
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Reihe: | Palgrave European Film and Media Studies |
| Inhalt: |
ix
313 S. 2 s/w Illustr. 6 farbige Illustr. 313 p. 8 illus. 6 illus. in color. |
| ISBN-13: | 9783319867083 |
| ISBN-10: | 3319867083 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Waade, Anne Marit
Toft Hansen, Kim |
| Auflage: | Softcover reprint of the original 1st ed. 2017 |
| Hersteller: |
Springer International Publishing
Springer International Publishing AG Palgrave European Film and Media Studies |
| Maße: | 210 x 148 x 18 mm |
| Von/Mit: | Anne Marit Waade (u. a.) |
| Erscheinungsdatum: | 23.08.2018 |
| Gewicht: | 0,421 kg |
Über den Autor
Kim Toft Hansen is Associate Professor of Scandinavian Media Studies at Aalborg University, Denmark. His research has focussed on Scandinavian crime fiction, written and audio-visual, and media production studies with special attention towards relationships between local and global media. He has published extensively on crime fiction and Danish film and television.
Anne Marit Waade is Associate Professor of Media & Journalism, Aarhus University, Denmark. Her research has focused on creative industry and promotional culture, locations in television productions, the export of Danish television drama and media tourism. She has published extensively on Danish television drama, mediated places and tourism.
Anne Marit Waade is Associate Professor of Media & Journalism, Aarhus University, Denmark. Her research has focused on creative industry and promotional culture, locations in television productions, the export of Danish television drama and media tourism. She has published extensively on Danish television drama, mediated places and tourism.
Zusammenfassung
The first comprehensive history of contemporary Nordic Noir
Introduces the new method of 'location studies'
Places Nordic television drama within a global world
Includes supplementary material: [...]
Inhaltsverzeichnis
1. Introduction: Where is Nordic Noir?.- 2. Part I: Local colour and location studies - Local colour and places on screen.- 3. Location studies: a topography of Nordic noir.- 4. Four perspectives on the Nordic region.- 5. Part II: From bestsellers to blockbusters - Stieg Larsson and Scandinavian crime literature as a stepping stone.- 6.
Beck
and character adaptations.- 7. Funding models and increasing transnationalism.- 8. Part III: Written for the Danish screen -
The Killing
and DR's Danish model.- 9.
Norskov
and Danish commercial public service drama.- 10.
The Team
, Danish transnationalism and the local colour of Europe.- 11. Part IV: Written for the Nordic screen -
Blue Eyes
and the rise of the Swedish original.- 12.
Trapped
and original Noir from Iceland and Norway.- 13. The Bridge, transnational co-productions and screen tourism.- 14. Conclusion: Nordic Noir beyond the Nordic.
Beck
and character adaptations.- 7. Funding models and increasing transnationalism.- 8. Part III: Written for the Danish screen -
The Killing
and DR's Danish model.- 9.
Norskov
and Danish commercial public service drama.- 10.
The Team
, Danish transnationalism and the local colour of Europe.- 11. Part IV: Written for the Nordic screen -
Blue Eyes
and the rise of the Swedish original.- 12.
Trapped
and original Noir from Iceland and Norway.- 13. The Bridge, transnational co-productions and screen tourism.- 14. Conclusion: Nordic Noir beyond the Nordic.
Details
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Reihe: | Palgrave European Film and Media Studies |
| Inhalt: |
ix
313 S. 2 s/w Illustr. 6 farbige Illustr. 313 p. 8 illus. 6 illus. in color. |
| ISBN-13: | 9783319867083 |
| ISBN-10: | 3319867083 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Waade, Anne Marit
Toft Hansen, Kim |
| Auflage: | Softcover reprint of the original 1st ed. 2017 |
| Hersteller: |
Springer International Publishing
Springer International Publishing AG Palgrave European Film and Media Studies |
| Maße: | 210 x 148 x 18 mm |
| Von/Mit: | Anne Marit Waade (u. a.) |
| Erscheinungsdatum: | 23.08.2018 |
| Gewicht: | 0,421 kg |
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