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- Series Editors' Foreword
- Acknowledgments
- Introduction.
- I. Modern, Antimodern, and Mythic Posing
- II. Gendered Identity and Embodiment
- III. Biblical Typology and Classical Ritual
- IV. Solo Genres
- V. Modernist Kinaesthetics
- Chapter 1. The Solo's Origins: Monodramas, Attitudes, Dramatic Monologues
- I. Galatea's Reach: Gestures of the Monodrama
- II. Veiled Motions: Emma Lyon Hamilton's Attitude
- III. Goethe's Proserpina and Later Posers
- IV. Barrett Browning: Naming "Aeschylus" and "The Virgin Mary"
- V. Types and Housewives in Christina Rossetti and Augusta Webster
- Chapter 2. Posing Modernism: Delsartism in Modern Dance and Silent Film
- I. Delsarte's Aesthetics of the Attitude
- II. Disseminating Delsarte
- III. Performing Delsartism: Genevieve Stebbins and the Early Motions of Modern Dance
- IV. Performing Delsartism (Take Two): Denishawn and Hollywood
- V. The Russian Delsarte: Kuleshov and Film Montage
- Chapter 3. Positioning Genre: The Dramatic Monologue in Cultures of Recitation
- I. Expression, Recitation, and Literary Interpretation
- II. Charlotte Mew: The Magdalene in "Madeleine in Church"
- III. T. S. Eliot's "Magus": Impersonality, Objective Correlative, and Mythical Method
- IV. Chautauquas, "Sextus Propertius," and Ezra Pound's History
- V. Amy Lowell's Polyphonic Emma Lyon Hamilton
- Chapter 4. The Motor in the Soul: Isadora Duncan's Solo Dance
- I. The Shock of Solo Expression
- II. The Proto-Motor: Duncan and Delsartean Posing
- III. The Joints of Modernism: Conjunctures of Materialism and Metaphysics
- IV. The Multiplied Body of the Motor
- V. Motorized Propulsion and Modernist Ritual
- VI. Repetitions of the Motor: Will and Spontaneity
- VII. The Weight of a Thigh and the New Woman of (Anti)Modernism
- Chapter 5. Ritualized Reception: H.D.'s Antimodernist Poetics and Cinematics
- I. Imagism Unstuck: H.D.'s Dissent and Pound's Revision
- II. Stepping from Stone: Dramatic Monologues of The God
- The Ritual Chorus and a Soloist's Suspicion in Ion and "The Dancer"
- IV. Types of Participation: H.D.'s Film Essays and Reviews
- V. H.D.'s Attitudes on Film
- VI. Montage, Technology for the Soul
- VII. The Soloists of Trilogy
- Afterword. Post-Antimodernism
| Erscheinungsjahr: | 2014 |
|---|---|
| Genre: | Importe, Lyrik & Dramatik |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| ISBN-13: | 9780199384587 |
| ISBN-10: | 0199384584 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Preston, Carrie J. |
| Hersteller: | Oxford University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 234 x 156 x 22 mm |
| Von/Mit: | Carrie J. Preston |
| Erscheinungsdatum: | 22.08.2014 |
| Gewicht: | 0,633 kg |
- Series Editors' Foreword
- Acknowledgments
- Introduction.
- I. Modern, Antimodern, and Mythic Posing
- II. Gendered Identity and Embodiment
- III. Biblical Typology and Classical Ritual
- IV. Solo Genres
- V. Modernist Kinaesthetics
- Chapter 1. The Solo's Origins: Monodramas, Attitudes, Dramatic Monologues
- I. Galatea's Reach: Gestures of the Monodrama
- II. Veiled Motions: Emma Lyon Hamilton's Attitude
- III. Goethe's Proserpina and Later Posers
- IV. Barrett Browning: Naming "Aeschylus" and "The Virgin Mary"
- V. Types and Housewives in Christina Rossetti and Augusta Webster
- Chapter 2. Posing Modernism: Delsartism in Modern Dance and Silent Film
- I. Delsarte's Aesthetics of the Attitude
- II. Disseminating Delsarte
- III. Performing Delsartism: Genevieve Stebbins and the Early Motions of Modern Dance
- IV. Performing Delsartism (Take Two): Denishawn and Hollywood
- V. The Russian Delsarte: Kuleshov and Film Montage
- Chapter 3. Positioning Genre: The Dramatic Monologue in Cultures of Recitation
- I. Expression, Recitation, and Literary Interpretation
- II. Charlotte Mew: The Magdalene in "Madeleine in Church"
- III. T. S. Eliot's "Magus": Impersonality, Objective Correlative, and Mythical Method
- IV. Chautauquas, "Sextus Propertius," and Ezra Pound's History
- V. Amy Lowell's Polyphonic Emma Lyon Hamilton
- Chapter 4. The Motor in the Soul: Isadora Duncan's Solo Dance
- I. The Shock of Solo Expression
- II. The Proto-Motor: Duncan and Delsartean Posing
- III. The Joints of Modernism: Conjunctures of Materialism and Metaphysics
- IV. The Multiplied Body of the Motor
- V. Motorized Propulsion and Modernist Ritual
- VI. Repetitions of the Motor: Will and Spontaneity
- VII. The Weight of a Thigh and the New Woman of (Anti)Modernism
- Chapter 5. Ritualized Reception: H.D.'s Antimodernist Poetics and Cinematics
- I. Imagism Unstuck: H.D.'s Dissent and Pound's Revision
- II. Stepping from Stone: Dramatic Monologues of The God
- The Ritual Chorus and a Soloist's Suspicion in Ion and "The Dancer"
- IV. Types of Participation: H.D.'s Film Essays and Reviews
- V. H.D.'s Attitudes on Film
- VI. Montage, Technology for the Soul
- VII. The Soloists of Trilogy
- Afterword. Post-Antimodernism
| Erscheinungsjahr: | 2014 |
|---|---|
| Genre: | Importe, Lyrik & Dramatik |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| ISBN-13: | 9780199384587 |
| ISBN-10: | 0199384584 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Preston, Carrie J. |
| Hersteller: | Oxford University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 234 x 156 x 22 mm |
| Von/Mit: | Carrie J. Preston |
| Erscheinungsdatum: | 22.08.2014 |
| Gewicht: | 0,633 kg |
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