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Cover: 9781009158084 | Music, Subjectivity, and Schumann | Benedict Taylor | Buch | Englisch
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Music, Subjectivity, and Schumann
Buch von Benedict Taylor
Sprache: Englisch

127,95 €*

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Lieferzeit 1-2 Wochen

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Beschreibung
"Defining Subjectivity. The title invites hubris. How does one attempt to define such an all-pervasive yet hopelessly nebulous notion? Frustratingly polysemous in its application, subjectivity is one of the most popular and yet at the same time obscurest terms in the modern human sciences. Not without justification does one of the most valuable previous musicological accounts of the topic disclaim any direct approach to this question, insofar as subjectivity, in the author's view, escapes definition by its very nature. The difficulty arises in part as subjectivity appears not to be a single thing. Neither is it, at least by some accounts, reducible to a group of things. Slightly more securely subjectivity might be argued to be a relation between things. But it is one where its apparent basis - the subject or self - is itself hotly disputed, even denied by some commentators. And then, even after coming to some provisional answer to all of these concerns, how do we begin to relate this concept to music, which similarly appears to elude all verbal confinement? Faced with this state of affairs one might be forgiven for dismissing the whole topic as yet another musicological example of conceptual diffuseness, humanistic hermeneutics at its idlest and most fuzzy"--
"Defining Subjectivity. The title invites hubris. How does one attempt to define such an all-pervasive yet hopelessly nebulous notion? Frustratingly polysemous in its application, subjectivity is one of the most popular and yet at the same time obscurest terms in the modern human sciences. Not without justification does one of the most valuable previous musicological accounts of the topic disclaim any direct approach to this question, insofar as subjectivity, in the author's view, escapes definition by its very nature. The difficulty arises in part as subjectivity appears not to be a single thing. Neither is it, at least by some accounts, reducible to a group of things. Slightly more securely subjectivity might be argued to be a relation between things. But it is one where its apparent basis - the subject or self - is itself hotly disputed, even denied by some commentators. And then, even after coming to some provisional answer to all of these concerns, how do we begin to relate this concept to music, which similarly appears to elude all verbal confinement? Faced with this state of affairs one might be forgiven for dismissing the whole topic as yet another musicological example of conceptual diffuseness, humanistic hermeneutics at its idlest and most fuzzy"--
Über den Autor
Benedict Taylor is Reader in Music at the University of Edinburgh and editor of Music & Letters. His publications include The Melody of Time: Music and Temporality in the Romantic Era (2015) and, as editor, Rethinking Mendelssohn (2020) and The Cambridge Companion to Music and Romanticism (2021).
Inhaltsverzeichnis
Preamble: Schumann, Subjectivity; Prosopopoeic Preliminaries: 1. Defining subjectivity; Part I. Hearing Subjects: 2. Hearing the self; 3. Hearing selves; Part II. Hearing Presence: 4. Presence of the self; 5. Presence of the other; Part III. Hearing Absence: 6. Absence of the other; 7. Absence of the self; Part IV. Hearing Others: 8. Hearing another's voice; 9. Hearing oneself as another; Epilogue: 10. Hearing ourselves.
Details
Erscheinungsjahr: 2022
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Buch
ISBN-13: 9781009158084
ISBN-10: 1009158082
Sprache: Englisch
Ausstattung / Beilage: HC gerader Rücken kaschiert
Einband: Gebunden
Autor: Taylor, Benedict
Hersteller: Cambridge University Press
Maße: 250 x 175 x 25 mm
Von/Mit: Benedict Taylor
Erscheinungsdatum: 09.03.2022
Gewicht: 0,839 kg
Artikel-ID: 120922208
Über den Autor
Benedict Taylor is Reader in Music at the University of Edinburgh and editor of Music & Letters. His publications include The Melody of Time: Music and Temporality in the Romantic Era (2015) and, as editor, Rethinking Mendelssohn (2020) and The Cambridge Companion to Music and Romanticism (2021).
Inhaltsverzeichnis
Preamble: Schumann, Subjectivity; Prosopopoeic Preliminaries: 1. Defining subjectivity; Part I. Hearing Subjects: 2. Hearing the self; 3. Hearing selves; Part II. Hearing Presence: 4. Presence of the self; 5. Presence of the other; Part III. Hearing Absence: 6. Absence of the other; 7. Absence of the self; Part IV. Hearing Others: 8. Hearing another's voice; 9. Hearing oneself as another; Epilogue: 10. Hearing ourselves.
Details
Erscheinungsjahr: 2022
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Buch
ISBN-13: 9781009158084
ISBN-10: 1009158082
Sprache: Englisch
Ausstattung / Beilage: HC gerader Rücken kaschiert
Einband: Gebunden
Autor: Taylor, Benedict
Hersteller: Cambridge University Press
Maße: 250 x 175 x 25 mm
Von/Mit: Benedict Taylor
Erscheinungsdatum: 09.03.2022
Gewicht: 0,839 kg
Artikel-ID: 120922208
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