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Cover: 9780195365825 | Musical Symbolism in the Operas of Debussy and Bartok | Antokoletz
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Musical Symbolism in the Operas of Debussy and Bartok
Taschenbuch von Elliott Antokoletz
Sprache: Englisch

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Beschreibung
This book explores the means by which the operas of Debussy and Bartok transform the structures of the traditional harmonic system into a new musical language. Antokoletz formulates new theoretic-analytic principles and describes how these principles link various historical and cultural as well as philosophical and psychological issues of the early twentieth century within the operatic milieu. The new musical language described here is based almost exclusively on interactions between folk modalities and their more abstract symmetrical
This book explores the means by which the operas of Debussy and Bartok transform the structures of the traditional harmonic system into a new musical language. Antokoletz formulates new theoretic-analytic principles and describes how these principles link various historical and cultural as well as philosophical and psychological issues of the early twentieth century within the operatic milieu. The new musical language described here is based almost exclusively on interactions between folk modalities and their more abstract symmetrical
Über den Autor
Elliott Antokoletz received the Béla Bártok Memorial Plaque and Diploma from the Hungarian Government in 1981. He is author of several books and co-editor of the International Journal of Musicology. He received his Ph.D in musicology from CUNY in 1975.
Inhaltsverzeichnis
  • Preface

  • Acknowledgments

  • 1: Backgrounds and Development: The New Musical Language and Its Correspondence with Psycho-Dramatic Principles of Symbolist Opera

  • 2: The New Musical Language

  • 3: Trauma, Gender, and the Unfolding of the Unconscious in the Debussy and Bartók Operas

  • 4: Pelléas et Mélisande: Polarity of Characterizations: Human Beings as Real-Life Individuals and Instruments of Fate

  • 5: Pelléas et Mélisande: Fate and the Unconscious; Transformational Function of the Dominant-ninth Chord

  • 6: Pelléas et Mélisande: Musico-Dramatic Turning Point: Intervallic Expansion as Symbol of Dramatic Tension and Change of Mood

  • 7: Pelléas et Mélisande: Mélisande as Christ Symbol - Life, Death, and Resurrection - and Motivic Reinterpretations of the Whole-Tone Dyad

  • 8: Pelléas et Mélisande: Circuity of Fate and Resolution of Mélisande's Dissonant Pentatonic-Whole-tone Conflict

  • 9: Duke Bluebeard's Castle: Psychological Motivation; Symbolic Interaction of Diatonic, Whole-tone and Chromatic Extemes

  • 10: Duke Bluebeard's Castle: Toward Character Reversal; Reassigment of Pentatonic and Whole-tone Spheres

  • 11: Duke Bluebeard's Castle: The Nietzschean Condition and Polarity of Characterizations; Diatonic-chromatic Extremes

  • 12: Duke Bluebeard's Castle: Final Transformation, Ambiguous Tonal Cycle, Retreat into Eternal Darkness; Synthesis of Pentatonic/Diatonic and Whole-tone Spheres

  • 13: Symbolism and Expressionism in Other Early Twentieth-century Operas

  • 14: Epilogue

Details
Erscheinungsjahr: 2008
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
ISBN-13: 9780195365825
ISBN-10: 0195365828
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Antokoletz, Elliott
Hersteller: Oxford University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 21 mm
Von/Mit: Elliott Antokoletz
Erscheinungsdatum: 15.01.2008
Gewicht: 0,591 kg
Artikel-ID: 120658800
Über den Autor
Elliott Antokoletz received the Béla Bártok Memorial Plaque and Diploma from the Hungarian Government in 1981. He is author of several books and co-editor of the International Journal of Musicology. He received his Ph.D in musicology from CUNY in 1975.
Inhaltsverzeichnis
  • Preface

  • Acknowledgments

  • 1: Backgrounds and Development: The New Musical Language and Its Correspondence with Psycho-Dramatic Principles of Symbolist Opera

  • 2: The New Musical Language

  • 3: Trauma, Gender, and the Unfolding of the Unconscious in the Debussy and Bartók Operas

  • 4: Pelléas et Mélisande: Polarity of Characterizations: Human Beings as Real-Life Individuals and Instruments of Fate

  • 5: Pelléas et Mélisande: Fate and the Unconscious; Transformational Function of the Dominant-ninth Chord

  • 6: Pelléas et Mélisande: Musico-Dramatic Turning Point: Intervallic Expansion as Symbol of Dramatic Tension and Change of Mood

  • 7: Pelléas et Mélisande: Mélisande as Christ Symbol - Life, Death, and Resurrection - and Motivic Reinterpretations of the Whole-Tone Dyad

  • 8: Pelléas et Mélisande: Circuity of Fate and Resolution of Mélisande's Dissonant Pentatonic-Whole-tone Conflict

  • 9: Duke Bluebeard's Castle: Psychological Motivation; Symbolic Interaction of Diatonic, Whole-tone and Chromatic Extemes

  • 10: Duke Bluebeard's Castle: Toward Character Reversal; Reassigment of Pentatonic and Whole-tone Spheres

  • 11: Duke Bluebeard's Castle: The Nietzschean Condition and Polarity of Characterizations; Diatonic-chromatic Extremes

  • 12: Duke Bluebeard's Castle: Final Transformation, Ambiguous Tonal Cycle, Retreat into Eternal Darkness; Synthesis of Pentatonic/Diatonic and Whole-tone Spheres

  • 13: Symbolism and Expressionism in Other Early Twentieth-century Operas

  • 14: Epilogue

Details
Erscheinungsjahr: 2008
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
ISBN-13: 9780195365825
ISBN-10: 0195365828
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Antokoletz, Elliott
Hersteller: Oxford University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 21 mm
Von/Mit: Elliott Antokoletz
Erscheinungsdatum: 15.01.2008
Gewicht: 0,591 kg
Artikel-ID: 120658800
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