List of Illustrations and Tables - Acknowledgments - Amber M. Buck/Theo Plothe: Introduction: Netflix at the Nexus - Jana Zündel: TV IV's New Audience: Netflix's Business Model and Model Spectators - Annette Markham/Simona Stavrova/Max Schlüter: Netflix, Imagined Affordances, and the Illusion of Control - Luis F. Alvarez León: The Emergence of Netflix and the New Digital Economic Geography of Hollywood - Gabriele Prosperi: Lovemarked Distribution and Consumers' Behavior: Netflix Communities Versus Piracy Users' Conduct - Ana Cabral Martins: Netflix and TV-as-Film: A Case Study of
Stranger Things
and
The OA -
Jessica Ford: At the Fringes of TV: Liminality and Privilege in Netflix's Original Scripted Dramedy Series - Jason A. Smith/Briana L. Pocratsky/Marissa Kiss/Christian Rafael Suero: Programming Gendered Content: Industry, Post-feminism, and Netflix's Serialized Exposition of
Jessica Jones
- Kimberly Fain: Netflix: Culturally Transformative and Equally Accessible - Oranit Klein Shagrir: From ViKi to Netflix: Crossing Borders and Meshing Cultures - Sheri Chinen Biesen: Transforming Media Production in an Era of "Binge-Watching": Netflix's Cinematic Long-Form Serial Programming and Reception - Fabio Giglietto/Chiara Checcaglini/Giada Marino/Lella Mazzoli: Binge-Watching the Algorithmic Catalog: Making Sense of Netflix in the Aftermath of the Italian Launch - Daniela Varela Martínez/Anne Kaun: The Netflix Experience: A User-focused Approach to the Netflix Recommendation Algorithm - Theo Plothe/Amber M. Buck: Do Spoilers Matter?: Asynchronous Viewing Habits on Netflix and Twitter - Vanessa Amália D. Valiati: "Are You Still Watching?": Audiovisual Consumption on Digital Platforms and Practices Related to the Routines of Netflix Users - Contributors.