Acknowledgments
Prelude

1 Introduction
Inheritances, Traces, and Trails of Intimacy
Situating Friendship: Atmospheres, Pockets, and Infrastructures of Sociality
To Attune, to Attend, to Accompany: Learning by Being With, Within, Without
Plan of the Work

2 While We're Here, Pass This with Me: On the Project of Friendship in a Present of Ruins
My State of Being Is Walking: Mashy al-hal/Mashya
I Don't Feel at Home in This World Any More, or, How Predictable Is Precarity?
You Can Count on Me: Economies and Labors of Intimacy
Modes of Sociality/Intimacy: How Deep Is Your Love?
Friends as Polyphonic Assemblages: From Scattered Individual Melodies to Rhythmic Collective Harmonies

3 Those Who Love Me Can Take the Train: On the Becoming of Friends and the Making of Cities
Vignette: Those Who Love Me Can Take the Train, and Other Ordinary Affects
Nadia 53
Urban Intimacy and Talking about Cities: Recuperation, Remembrances, Recompositions
In Friendship We Dwell: On Movement and Stillness

4 That It Is from Your Eye that I Find Myself: The Making of Friendship, the Making of Selves
On Naked Personalities and Difficult Truths
Jumana and Yasmine: We Hide and We Seek (Each Other)
Friendship Makes and Friendship Breaks: Archives of Flesh and Blood
To Be Answerable, One Has to Be Able to Answer

5 Mafish Sahib Yetsahib . . . O My Friends, There Is No Friend: An Ode to Friendship, an Ode to the Loss of It
Vignette: O My Friends, There Is No Friend
Friendship: A Suspension between the No Longer and the Not Yet
"But the Knot Remembers Everything": On Growing Out of Friendship

References
About the Author