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Beschreibung
Lisa McCormick considers the history of classical music competitions and their role in society today by examining highlights and controversies.
Lisa McCormick considers the history of classical music competitions and their role in society today by examining highlights and controversies.
Über den Autor
Lisa McCormick is a Lecturer in the department of sociology at the University of Edinburgh. She has published widely in the sociology of the arts and serves on the editorial boards of the American Journal of Cultural Sociology and Music and Art in Action. She is co-editor, with Ron Eyerman, of Myth, Meaning and Performance (2006). Her first article on music competitions, which appeared in Cultural Sociology in 2009, won the SAGE prize in excellence and/or innovation. She is also a Faculty Fellow with the Center for Cultural Sociology at Yale University, Connecticut and a Research Associate with the Centre for Death and Society at the University of Bath.
Inhaltsverzeichnis
Introduction; 1. The rise and near demise of the international music competition; 2. Competitions enter the civil sphere; 3. Narrating the competition; 4. The presentation of musical self; 5. Producing sound judgments; 6. Voicing opinions; Conclusion: what is the future of music competitions?; Appendix A. Selected competitions: facts and figures; Appendix B. Membership of the World Federation of International Music Competitions (WFIMC), 1957-2012; Appendix C. Putting the 'performance perspective' in perspective.
Details
Erscheinungsjahr: | 2017 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9781107498297 |
ISBN-10: | 1107498295 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Mccormick, Lisa |
Hersteller: | Cambridge University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 17 mm |
Von/Mit: | Lisa Mccormick |
Erscheinungsdatum: | 31.01.2017 |
Gewicht: | 0,441 kg |
Über den Autor
Lisa McCormick is a Lecturer in the department of sociology at the University of Edinburgh. She has published widely in the sociology of the arts and serves on the editorial boards of the American Journal of Cultural Sociology and Music and Art in Action. She is co-editor, with Ron Eyerman, of Myth, Meaning and Performance (2006). Her first article on music competitions, which appeared in Cultural Sociology in 2009, won the SAGE prize in excellence and/or innovation. She is also a Faculty Fellow with the Center for Cultural Sociology at Yale University, Connecticut and a Research Associate with the Centre for Death and Society at the University of Bath.
Inhaltsverzeichnis
Introduction; 1. The rise and near demise of the international music competition; 2. Competitions enter the civil sphere; 3. Narrating the competition; 4. The presentation of musical self; 5. Producing sound judgments; 6. Voicing opinions; Conclusion: what is the future of music competitions?; Appendix A. Selected competitions: facts and figures; Appendix B. Membership of the World Federation of International Music Competitions (WFIMC), 1957-2012; Appendix C. Putting the 'performance perspective' in perspective.
Details
Erscheinungsjahr: | 2017 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9781107498297 |
ISBN-10: | 1107498295 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Mccormick, Lisa |
Hersteller: | Cambridge University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 17 mm |
Von/Mit: | Lisa Mccormick |
Erscheinungsdatum: | 31.01.2017 |
Gewicht: | 0,441 kg |
Sicherheitshinweis