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Beschreibung
Since the turn of the millennium, protests, meetings, schoolrooms, reading groups and many other social forms have been proposed as artworks or, more ambiguously, as interventions that are somewhere between art and politics. This book surveys the resurgence of politicized art, tracing key currents of theory and practice, and mapping them against the dominant experience of the last decade: crisis.
Drawing upon leading artists and theorists within this field - including Hito Steyerl, Marina Vishmidt, Art & Language, Gregory Sholette, John Roberts and Dave Beech - this book argues for a new interpretation of the relationship between socially-engaged art and neoliberalism. Kim Charnley explores the possibility that neoliberalism has destabilized the art system so that it is no longer able to absorb and neutralize dissent. As a result, the relationship between aesthetics and politics is experienced with fresh urgency and militancy.
Drawing upon leading artists and theorists within this field - including Hito Steyerl, Marina Vishmidt, Art & Language, Gregory Sholette, John Roberts and Dave Beech - this book argues for a new interpretation of the relationship between socially-engaged art and neoliberalism. Kim Charnley explores the possibility that neoliberalism has destabilized the art system so that it is no longer able to absorb and neutralize dissent. As a result, the relationship between aesthetics and politics is experienced with fresh urgency and militancy.
Since the turn of the millennium, protests, meetings, schoolrooms, reading groups and many other social forms have been proposed as artworks or, more ambiguously, as interventions that are somewhere between art and politics. This book surveys the resurgence of politicized art, tracing key currents of theory and practice, and mapping them against the dominant experience of the last decade: crisis.
Drawing upon leading artists and theorists within this field - including Hito Steyerl, Marina Vishmidt, Art & Language, Gregory Sholette, John Roberts and Dave Beech - this book argues for a new interpretation of the relationship between socially-engaged art and neoliberalism. Kim Charnley explores the possibility that neoliberalism has destabilized the art system so that it is no longer able to absorb and neutralize dissent. As a result, the relationship between aesthetics and politics is experienced with fresh urgency and militancy.
Drawing upon leading artists and theorists within this field - including Hito Steyerl, Marina Vishmidt, Art & Language, Gregory Sholette, John Roberts and Dave Beech - this book argues for a new interpretation of the relationship between socially-engaged art and neoliberalism. Kim Charnley explores the possibility that neoliberalism has destabilized the art system so that it is no longer able to absorb and neutralize dissent. As a result, the relationship between aesthetics and politics is experienced with fresh urgency and militancy.
Über den Autor
Kim Charnley is Staff Tutor in Art History at The Open University, UK.
Zusammenfassung
Develops a new framework to interpret artistic developments in light of contemporary politics and political crises
Inhaltsverzeichnis
Introduction: In what sense 'sociopolitical' aesthetics?
1. Collective impurities
2. Art, economics, reproductive labour
3. Kaleidoscopic Institutions
4. Materialities of the Neoliberal State
5. Art, Ignorance and the Pedagogic Turn
6. Documentary, Post-Truth and Realism
7. Crisis, Criticism and Contemporary Art
Conclusion: Autonomy, Heteronomy, Solidarity?
Bibliography
Index
1. Collective impurities
2. Art, economics, reproductive labour
3. Kaleidoscopic Institutions
4. Materialities of the Neoliberal State
5. Art, Ignorance and the Pedagogic Turn
6. Documentary, Post-Truth and Realism
7. Crisis, Criticism and Contemporary Art
Conclusion: Autonomy, Heteronomy, Solidarity?
Bibliography
Index
Details
Erscheinungsjahr: | 2021 |
---|---|
Fachbereich: | Allgemeines |
Genre: | Philosophie |
Jahrhundert: | Antike |
Rubrik: | Geisteswissenschaften |
Thema: | Lexika |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781350008731 |
ISBN-10: | 1350008737 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Charnley, Kim |
Redaktion: |
Whiteley, Gillian
Tormey, Jane |
Hersteller: | Bloomsbury Publishing PLC |
Maße: | 214 x 134 x 20 mm |
Von/Mit: | Kim Charnley |
Erscheinungsdatum: | 11.02.2021 |
Gewicht: | 0,35 kg |
Über den Autor
Kim Charnley is Staff Tutor in Art History at The Open University, UK.
Zusammenfassung
Develops a new framework to interpret artistic developments in light of contemporary politics and political crises
Inhaltsverzeichnis
Introduction: In what sense 'sociopolitical' aesthetics?
1. Collective impurities
2. Art, economics, reproductive labour
3. Kaleidoscopic Institutions
4. Materialities of the Neoliberal State
5. Art, Ignorance and the Pedagogic Turn
6. Documentary, Post-Truth and Realism
7. Crisis, Criticism and Contemporary Art
Conclusion: Autonomy, Heteronomy, Solidarity?
Bibliography
Index
1. Collective impurities
2. Art, economics, reproductive labour
3. Kaleidoscopic Institutions
4. Materialities of the Neoliberal State
5. Art, Ignorance and the Pedagogic Turn
6. Documentary, Post-Truth and Realism
7. Crisis, Criticism and Contemporary Art
Conclusion: Autonomy, Heteronomy, Solidarity?
Bibliography
Index
Details
Erscheinungsjahr: | 2021 |
---|---|
Fachbereich: | Allgemeines |
Genre: | Philosophie |
Jahrhundert: | Antike |
Rubrik: | Geisteswissenschaften |
Thema: | Lexika |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781350008731 |
ISBN-10: | 1350008737 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Charnley, Kim |
Redaktion: |
Whiteley, Gillian
Tormey, Jane |
Hersteller: | Bloomsbury Publishing PLC |
Maße: | 214 x 134 x 20 mm |
Von/Mit: | Kim Charnley |
Erscheinungsdatum: | 11.02.2021 |
Gewicht: | 0,35 kg |
Warnhinweis