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Methodologies that can be found in this collection draw on:
eastern traditions
body psychotherapy-somatic psychology
Alexander Technique, Feldenkrais Method
Authentic Movement, Body-Mind Centering, Continuum Movement, Integrative Bodywork and Movement Therapy
Fitzmaurice Voicework, Linklater Technique, Roy Hart Method
post-Stanislavski and post-Grotowski actor-training traditions
somaesthetics
The volume also includes contributions by the founders of:
Shin Somatics, Body and Earth, Voice Movement Integration
SOMart, Somatic Acting Process
This book is a polyphonic and multimodal compilation of experiential invitations to each reader's own somatic voice. It culminates with the "voices" of contributing participants to a praxical symposium at East 15 Acting School in London (July 19-20, 2019). It fills a significant gap for scholars in the fields of voice studies, theatre studies, somatic studies, artistic research and pedagogy. It is also a vital read for graduate students, doctoral and postdoctoral researchers.
Methodologies that can be found in this collection draw on:
eastern traditions
body psychotherapy-somatic psychology
Alexander Technique, Feldenkrais Method
Authentic Movement, Body-Mind Centering, Continuum Movement, Integrative Bodywork and Movement Therapy
Fitzmaurice Voicework, Linklater Technique, Roy Hart Method
post-Stanislavski and post-Grotowski actor-training traditions
somaesthetics
The volume also includes contributions by the founders of:
Shin Somatics, Body and Earth, Voice Movement Integration
SOMart, Somatic Acting Process
This book is a polyphonic and multimodal compilation of experiential invitations to each reader's own somatic voice. It culminates with the "voices" of contributing participants to a praxical symposium at East 15 Acting School in London (July 19-20, 2019). It fills a significant gap for scholars in the fields of voice studies, theatre studies, somatic studies, artistic research and pedagogy. It is also a vital read for graduate students, doctoral and postdoctoral researchers.
Christina Kapadocha (PhD) is a Lecturer in Theatre and Movement at East 15 Acting School. She is a London-based theatre and somatic practitioner-researcher and founder of Somatic Acting Process®. Her current practice research and publications introduce new discussions on the somatic in theatre and performance studies.
List of figures; List of online material; List of contributors; Acknowledgments; Foreword: A phonotechnics of vocal somaticity: An autobiophonic note; Konstantinos Thomaidis; Introduction: Somatic voice studies Christina Kapadocha; Part I Vocalities in somatic studies ; 1 Three somatic processes to voice through movement: Breath, exploration, imagery, Barbara Sellers-Young; 2 Awakening grace: Embodied awareness in vocal training, Andrea Olsen; 3 Never just the body: Etudes between voice and dance, Sondra Fraleigh; 4 On Voice Movement Integration (VMI) practice by Patricia Bardi: Awakening resonance in the moving body, Patricia Bardi interviewed by Christina Kapadocha; Part II Voicework, somatics and the diverse self; 5 In front of me: Fitzmaurice Voicework® as transformative practice, Ellen Foyn Bruun; 6 Somatic training and resources for body-mind-voice integration: When stage fright "comes to visit", Leticia Santafé and Pablo Troccoli; 7 Voicing with awareness: An introduction to the Feldenkrais method, Stephen Paparo; 8 My body is a map, my voice is the path: (Trans)racialized somaticities and Roy Hart voice work, Amy Mihyang Ginther; Part III Vocal and somatic listening in training; 9 (Re)considering the role of touch in "re-educating" actors' body/voice Tara McAllister-Viel, 10 Organic voice: Vocal integration through actor training; Christina Gutekunst, 11 Dreaming voice: A dialogue, Ilona Krawczyk and Ben Spatz; 12 Somatic logos in physiovocal actor training and beyond, Christina Kapadocha; Part IV Beyond the somatic in performance research; 13 Mapping the burden of vocality: French seventeenth-century vocal lamentations, Japanese meditation and somatic intra-action, Elisabeth Laasonen Belgrano; 14 Intensive interaction: A lesson on queered voicing from children with learning disAbilities, Yvon Bonenfant; 15 Vocal resonance and the politics of intercorporeality, Anita Chari; 16 The somaesthetic in-between: Six statements on vocality, listening and embodiment, Ben Macpherson; Part V Beyond this book; 17 Beyond our somatic voices, Christina Kapadocha
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780367562618 |
ISBN-10: | 0367562618 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: | Kapadocha, Christina |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 15 mm |
Von/Mit: | Christina Kapadocha |
Erscheinungsdatum: | 29.04.2022 |
Gewicht: | 0,43 kg |
Christina Kapadocha (PhD) is a Lecturer in Theatre and Movement at East 15 Acting School. She is a London-based theatre and somatic practitioner-researcher and founder of Somatic Acting Process®. Her current practice research and publications introduce new discussions on the somatic in theatre and performance studies.
List of figures; List of online material; List of contributors; Acknowledgments; Foreword: A phonotechnics of vocal somaticity: An autobiophonic note; Konstantinos Thomaidis; Introduction: Somatic voice studies Christina Kapadocha; Part I Vocalities in somatic studies ; 1 Three somatic processes to voice through movement: Breath, exploration, imagery, Barbara Sellers-Young; 2 Awakening grace: Embodied awareness in vocal training, Andrea Olsen; 3 Never just the body: Etudes between voice and dance, Sondra Fraleigh; 4 On Voice Movement Integration (VMI) practice by Patricia Bardi: Awakening resonance in the moving body, Patricia Bardi interviewed by Christina Kapadocha; Part II Voicework, somatics and the diverse self; 5 In front of me: Fitzmaurice Voicework® as transformative practice, Ellen Foyn Bruun; 6 Somatic training and resources for body-mind-voice integration: When stage fright "comes to visit", Leticia Santafé and Pablo Troccoli; 7 Voicing with awareness: An introduction to the Feldenkrais method, Stephen Paparo; 8 My body is a map, my voice is the path: (Trans)racialized somaticities and Roy Hart voice work, Amy Mihyang Ginther; Part III Vocal and somatic listening in training; 9 (Re)considering the role of touch in "re-educating" actors' body/voice Tara McAllister-Viel, 10 Organic voice: Vocal integration through actor training; Christina Gutekunst, 11 Dreaming voice: A dialogue, Ilona Krawczyk and Ben Spatz; 12 Somatic logos in physiovocal actor training and beyond, Christina Kapadocha; Part IV Beyond the somatic in performance research; 13 Mapping the burden of vocality: French seventeenth-century vocal lamentations, Japanese meditation and somatic intra-action, Elisabeth Laasonen Belgrano; 14 Intensive interaction: A lesson on queered voicing from children with learning disAbilities, Yvon Bonenfant; 15 Vocal resonance and the politics of intercorporeality, Anita Chari; 16 The somaesthetic in-between: Six statements on vocality, listening and embodiment, Ben Macpherson; Part V Beyond this book; 17 Beyond our somatic voices, Christina Kapadocha
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780367562618 |
ISBN-10: | 0367562618 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: | Kapadocha, Christina |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 15 mm |
Von/Mit: | Christina Kapadocha |
Erscheinungsdatum: | 29.04.2022 |
Gewicht: | 0,43 kg |