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Staging a Comeback
Broadway, Hollywood, and the Disney Renaissance
Taschenbuch von Peter C Kunze
Sprache: Englisch

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Beschreibung
Drawing on original archival research and interviews, Peter C. Kunze offers a revisionist account of the Disney Renaissance that foregrounds the role of theatrically-trained talent in revitalizing Disney Animation. In so doing, he situates this impressive turnaround at the intersection of two dynamic entertainment industries with a long, underexamined relationships, Hollywood and Broadway.
Drawing on original archival research and interviews, Peter C. Kunze offers a revisionist account of the Disney Renaissance that foregrounds the role of theatrically-trained talent in revitalizing Disney Animation. In so doing, he situates this impressive turnaround at the intersection of two dynamic entertainment industries with a long, underexamined relationships, Hollywood and Broadway.
Über den Autor
PETER C. KUNZE is an assistant professor of communication at Tulane University. He is the editor or coeditor of several books, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon, American-Australian Cinema: Transnational Connections, and Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals.
Inhaltsverzeichnis

Introduction

1 "Just Waiting for the Prince to Arrive": Broadway and Hollywood before the Disney Renaissance, 1982

2 "Sort of Like the Sopranos Took Over the Studio": Regime Change at Disney, 1983-1986

3 "Make the Audience Fall in Love with Her": Howard Ashman and Alan Menken, The Little Mermaid, and Disney, 1987-1989

4 "A Celebration of Certain Sensibilities": Howard Ashman and Alan Menken, Beauty and the Beast, and Disney, 1990-1991

5 "Like the Old-Fashioned Musicals Did": Robert Jess Roth, Beauty and the Beast, and Disney, 1992-1994

6 "I Don't Do Cute": Julie Taymor, The Lion King, and Disney, 1994-1998

Conclusion

Acknowledgments

Notes

Index

Details
Erscheinungsjahr: 2023
Fachbereich: Allgemeines
Genre: Medienwissenschaften
Rubrik: Wissenschaften
Thema: Lexika
Medium: Taschenbuch
ISBN-13: 9781978827813
ISBN-10: 1978827814
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Kunze, Peter C
Hersteller: Rutgers University Press
Maße: 235 x 158 x 14 mm
Von/Mit: Peter C Kunze
Erscheinungsdatum: 15.09.2023
Gewicht: 0,34 kg
Artikel-ID: 126556023
Über den Autor
PETER C. KUNZE is an assistant professor of communication at Tulane University. He is the editor or coeditor of several books, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon, American-Australian Cinema: Transnational Connections, and Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals.
Inhaltsverzeichnis

Introduction

1 "Just Waiting for the Prince to Arrive": Broadway and Hollywood before the Disney Renaissance, 1982

2 "Sort of Like the Sopranos Took Over the Studio": Regime Change at Disney, 1983-1986

3 "Make the Audience Fall in Love with Her": Howard Ashman and Alan Menken, The Little Mermaid, and Disney, 1987-1989

4 "A Celebration of Certain Sensibilities": Howard Ashman and Alan Menken, Beauty and the Beast, and Disney, 1990-1991

5 "Like the Old-Fashioned Musicals Did": Robert Jess Roth, Beauty and the Beast, and Disney, 1992-1994

6 "I Don't Do Cute": Julie Taymor, The Lion King, and Disney, 1994-1998

Conclusion

Acknowledgments

Notes

Index

Details
Erscheinungsjahr: 2023
Fachbereich: Allgemeines
Genre: Medienwissenschaften
Rubrik: Wissenschaften
Thema: Lexika
Medium: Taschenbuch
ISBN-13: 9781978827813
ISBN-10: 1978827814
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Kunze, Peter C
Hersteller: Rutgers University Press
Maße: 235 x 158 x 14 mm
Von/Mit: Peter C Kunze
Erscheinungsdatum: 15.09.2023
Gewicht: 0,34 kg
Artikel-ID: 126556023
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