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A groundbreaking pedagogical work, The Baroque Violin & Viola, Volume I: A Fifty-Lesson Course blends Walter Reiter's experience as a renowned teacher and performer to guide the reader through the techniques and interpretive complexities of the Baroque violin repertory.
A groundbreaking pedagogical work, The Baroque Violin & Viola, Volume I: A Fifty-Lesson Course blends Walter Reiter's experience as a renowned teacher and performer to guide the reader through the techniques and interpretive complexities of the Baroque violin repertory.
Über den Autor
Walter Reiter is internationally recognized as a leading Baroque violinist, leader and conductor. He has made countless recordings with both British and European Baroque orchestras as well as several highly acclaimed solo CDs. A devoted and experienced teacher of both modern and Baroque violin, he is currently Professor of Baroque Violin and Viola in the Royal Conservatoire of The Hague in the Netherlands.
Inhaltsverzeichnis
- Foreword
- Introductory quotes
- Questions and Answers
- Part One
- The Basics
- Lesson One. Prelude
- Choosing a Violin - Choosing a Bow - Strings - Pitch.
- Lesson Two. Holding the violin
- How to hold the Baroque violin: a beginner's guide.
- Lesson Three. The Bow, Creator of Sound
- Holding the Bow.
- Lesson Four. First Sounds: Celebrating our Vocal Heritage
- Searching for our Vocal Roots - Exploring the Rhythm of words - Postscript.
- Lesson Five. Copying the Human Voice: Sweelinck's Garrulous Little Swallow
- Vowels - Dipthongs - Consonants - Double Consonants - Bowings - Postscript.
- Lesson Six. Five Exercises to Help Accustom You to 'Chinless' Playing
- Recalling These Exercises in a Performance Situation - Technical Factors - Emotional Factors - Nerves.
- Lesson Seven. More Basic Concepts and Techniques. 'A Division on a Ground' by Mr Faronell, from 'The Division Violin,' London, 1684
- The Importance of the Bass Line - Tempo and Rhythm - The Hierarchies and the Bow Impulses - Engramelle - Good Notes and Bad Notes - Varying the Articulation.
- Lesson Eight. Learning to Feel. Developing a heightened awareness of the Emotional Power of Sound and the Intervals
- Emotional Information: What Sound Tells Us - How to Prepare: Manipulating Our Emotions.
- Lesson Nine. The Inner Life of Sound: 'Messa di voce'
- Lesson Ten. Applying the Messa di voce. Arcangelo Corelli: Adagio from Sonata Opus V No 3
- Applying the 'Messa di voce' - Dissonances and Consonances - On Trills - In Praise of the Second Position - Hemiolas: To be Heard as Well as Seen? - A Note on Chromatic Fingering - Sound and Expression - Summary
- Lesson Eleven: Temperament and 'Historical' Intonation: an Outline
- How Do We Learn 'Pure' Intonation? - Leopold Mozart on Overtones - Peter Prelleur's Fingerboard.
- Lesson Twelve. Scale Exercises and Etudes for Shifting and Intonation
- Part One: Towards a Chinless Scale Book
- The Four Springs - Techniques of Displacement - Shifting and Expression.
- Part Two: Fifteen Exercises for the Methodical Study of Pure Intonation. Applying Pure Intonation to Geminiani's Scale Studies from 'The Art of Playing the Violin (1751)
- Lesson Thirteen. Bringing Fast Notes to Life: the Inequality of the Equal. Albinoni. Sonata Op V1 No 2, Allegro
- How to Play Equal Notes in a Flexible and Subtle Way - The Three Flexibilities - Rhythmic flexibility - Dynamic flexibility - Flexibility of articulation - Adding Slurs: a Misdemeanour? - Sequences.
- Lesson Fourteen. Learning to Feel Comfortable on Gut Strings. I) The Bow
- Lesson Fifteen. Learning to Feel Comfortable on Gut Strings. II) The Left Hand
- Slaves of our Inner Voice: the Fingers.
- Part Two
- Re-examining the Familiar: Sonatas by Vivaldi and Corelli
- Lesson Sixteen. The Starting-point of Interpretation: Learning to Observe
- Arcangelo Corelli: Sonata Op V no VII
- Interpretation: a Question of Taste? - Editions or Facsimiles? - Instrumentation in Corelli's Opus V Sonatas - Means of Expression - Choosing a Convincing Tempo - Preludio - Afterthought: What Happens Within.
- Lesson Seventeen. Corelli. Sonata Op V No VII. Corrente - Sarabanda - Giga
- Lesson Eighteen. Transforming musical decisions into sound
- Lesson Nineteen. In the Footsteps of Corelli. Antonio Vivaldi: Sonata Op 2 No 1
- Preludio.
- Gesture - Shifting: How, When and Whither? - Open Strings: Use or Misuse- Notes Essential and Notes Ornamental
- Lesson Twenty. In the Footsteps of Corelli. Antonio Vivaldi: Sonata Op 2 No 1
- Giga, Sarabanda Largo, Corrente.
- Emotional Information in Rhythm - Learning to Read Vivaldi's Sonata in the Original Notation
- Lesson Twenty-One. Nurturing Spontaneity: Ornamentation, Module One
- Ornamentation: Diversion or Essence? - Overcoming Our Fear of Playing the Unwritten - Ornamentation and National Styles - Composed Ornamentation - First Steps in Ornamenting: Corelli's Sarabanda - Ornamenting the Second Half of the Sarabanda - Corelli's Sarabanda Ornamented by Dubourg.
- Lesson Twenty-Two. Straight from the Heart: the Great Vibrato Debate
- Lesson Twenty-Three. Rhetoric: the Power to Persuade
- The Origins of Rhetoric - Rhetoric and Music - The Musician as Orator - Rhetorical Playing Versus Pure Instrumentalism - Some Rhetorical Figures: Dynamics, Parenthesis, Repetition, Direction, Punctuation and Intonation - Tonality - Dissonance - Tessitura - Tempo - Metre - Acoustic - Imagery - Presentation.
- Notes to Lessons
- Bibliography
- Index
- Acknowledgements
Details
| Erscheinungsjahr: | 2020 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780190922702 |
| ISBN-10: | 0190922702 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Reiter, Walter S. |
| Komponist: | Reiter, Walter S. |
| Hersteller: | Oxford University Press Inc |
| Maße: | 275 x 212 x 19 mm |
| Von/Mit: | Walter S. Reiter |
| Erscheinungsdatum: | 17.11.2020 |
| Gewicht: | 0,848 kg |
Über den Autor
Walter Reiter is internationally recognized as a leading Baroque violinist, leader and conductor. He has made countless recordings with both British and European Baroque orchestras as well as several highly acclaimed solo CDs. A devoted and experienced teacher of both modern and Baroque violin, he is currently Professor of Baroque Violin and Viola in the Royal Conservatoire of The Hague in the Netherlands.
Inhaltsverzeichnis
- Foreword
- Introductory quotes
- Questions and Answers
- Part One
- The Basics
- Lesson One. Prelude
- Choosing a Violin - Choosing a Bow - Strings - Pitch.
- Lesson Two. Holding the violin
- How to hold the Baroque violin: a beginner's guide.
- Lesson Three. The Bow, Creator of Sound
- Holding the Bow.
- Lesson Four. First Sounds: Celebrating our Vocal Heritage
- Searching for our Vocal Roots - Exploring the Rhythm of words - Postscript.
- Lesson Five. Copying the Human Voice: Sweelinck's Garrulous Little Swallow
- Vowels - Dipthongs - Consonants - Double Consonants - Bowings - Postscript.
- Lesson Six. Five Exercises to Help Accustom You to 'Chinless' Playing
- Recalling These Exercises in a Performance Situation - Technical Factors - Emotional Factors - Nerves.
- Lesson Seven. More Basic Concepts and Techniques. 'A Division on a Ground' by Mr Faronell, from 'The Division Violin,' London, 1684
- The Importance of the Bass Line - Tempo and Rhythm - The Hierarchies and the Bow Impulses - Engramelle - Good Notes and Bad Notes - Varying the Articulation.
- Lesson Eight. Learning to Feel. Developing a heightened awareness of the Emotional Power of Sound and the Intervals
- Emotional Information: What Sound Tells Us - How to Prepare: Manipulating Our Emotions.
- Lesson Nine. The Inner Life of Sound: 'Messa di voce'
- Lesson Ten. Applying the Messa di voce. Arcangelo Corelli: Adagio from Sonata Opus V No 3
- Applying the 'Messa di voce' - Dissonances and Consonances - On Trills - In Praise of the Second Position - Hemiolas: To be Heard as Well as Seen? - A Note on Chromatic Fingering - Sound and Expression - Summary
- Lesson Eleven: Temperament and 'Historical' Intonation: an Outline
- How Do We Learn 'Pure' Intonation? - Leopold Mozart on Overtones - Peter Prelleur's Fingerboard.
- Lesson Twelve. Scale Exercises and Etudes for Shifting and Intonation
- Part One: Towards a Chinless Scale Book
- The Four Springs - Techniques of Displacement - Shifting and Expression.
- Part Two: Fifteen Exercises for the Methodical Study of Pure Intonation. Applying Pure Intonation to Geminiani's Scale Studies from 'The Art of Playing the Violin (1751)
- Lesson Thirteen. Bringing Fast Notes to Life: the Inequality of the Equal. Albinoni. Sonata Op V1 No 2, Allegro
- How to Play Equal Notes in a Flexible and Subtle Way - The Three Flexibilities - Rhythmic flexibility - Dynamic flexibility - Flexibility of articulation - Adding Slurs: a Misdemeanour? - Sequences.
- Lesson Fourteen. Learning to Feel Comfortable on Gut Strings. I) The Bow
- Lesson Fifteen. Learning to Feel Comfortable on Gut Strings. II) The Left Hand
- Slaves of our Inner Voice: the Fingers.
- Part Two
- Re-examining the Familiar: Sonatas by Vivaldi and Corelli
- Lesson Sixteen. The Starting-point of Interpretation: Learning to Observe
- Arcangelo Corelli: Sonata Op V no VII
- Interpretation: a Question of Taste? - Editions or Facsimiles? - Instrumentation in Corelli's Opus V Sonatas - Means of Expression - Choosing a Convincing Tempo - Preludio - Afterthought: What Happens Within.
- Lesson Seventeen. Corelli. Sonata Op V No VII. Corrente - Sarabanda - Giga
- Lesson Eighteen. Transforming musical decisions into sound
- Lesson Nineteen. In the Footsteps of Corelli. Antonio Vivaldi: Sonata Op 2 No 1
- Preludio.
- Gesture - Shifting: How, When and Whither? - Open Strings: Use or Misuse- Notes Essential and Notes Ornamental
- Lesson Twenty. In the Footsteps of Corelli. Antonio Vivaldi: Sonata Op 2 No 1
- Giga, Sarabanda Largo, Corrente.
- Emotional Information in Rhythm - Learning to Read Vivaldi's Sonata in the Original Notation
- Lesson Twenty-One. Nurturing Spontaneity: Ornamentation, Module One
- Ornamentation: Diversion or Essence? - Overcoming Our Fear of Playing the Unwritten - Ornamentation and National Styles - Composed Ornamentation - First Steps in Ornamenting: Corelli's Sarabanda - Ornamenting the Second Half of the Sarabanda - Corelli's Sarabanda Ornamented by Dubourg.
- Lesson Twenty-Two. Straight from the Heart: the Great Vibrato Debate
- Lesson Twenty-Three. Rhetoric: the Power to Persuade
- The Origins of Rhetoric - Rhetoric and Music - The Musician as Orator - Rhetorical Playing Versus Pure Instrumentalism - Some Rhetorical Figures: Dynamics, Parenthesis, Repetition, Direction, Punctuation and Intonation - Tonality - Dissonance - Tessitura - Tempo - Metre - Acoustic - Imagery - Presentation.
- Notes to Lessons
- Bibliography
- Index
- Acknowledgements
Details
| Erscheinungsjahr: | 2020 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780190922702 |
| ISBN-10: | 0190922702 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Reiter, Walter S. |
| Komponist: | Reiter, Walter S. |
| Hersteller: | Oxford University Press Inc |
| Maße: | 275 x 212 x 19 mm |
| Von/Mit: | Walter S. Reiter |
| Erscheinungsdatum: | 17.11.2020 |
| Gewicht: | 0,848 kg |
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