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Beschreibung
Following James Tyler's earlier introduction to the four-and five-course guitar, this collaboration with Paul Sparks is an authoritative guide to the history and repertory of the guitar from the Renaissance to the dawn of the Classical era.
Following James Tyler's earlier introduction to the four-and five-course guitar, this collaboration with Paul Sparks is an authoritative guide to the history and repertory of the guitar from the Renaissance to the dawn of the Classical era.
Inhaltsverzeichnis
- Dedication
- Preface
- List of Illustrations
- List of Tables
- List of Musical Examples
- List of Abbreviations
- Acknowledgements
- Part I: The Guitar in the Sixteenth Century
- 1.: Spain: La Guitarra de quatro ordenes
- 2.: France: The Creation of the Repertory
- 3.: England: '... yused of gentilmen, and of the best sort ...'
- 4.: Italy: La Chitarra da sette corde
- 5.: Italy: The Role of the Guitar in the Rise of Monody
- Part II: The Spanish Guitar (c.1600-c.1750)
- 6.: Italy: The Creation of the Repertory
- 7.: France: Les Guitarristes Royals
- 8.: 1. England
- 2. The Low Countries
- 3. Scandinavia
- 4. Germany and the Austrian Empire
- 9.: Spain, Portugal, and the New World
- Appendix I. A Brief Guide to Reading and Interpreting Baroque Guitar Tablatures
- Appendix II. Sources of Specific Information on the Tuning and Stringing of the Five-course Guitar
- Appendix III. The Mandora
- Part III: The Origins of the Classical Guitar
- 10.: 1750-69: The Emergence of the Six-Course Guitar
- 1. Spain, Portugal, and South America
- 2. France
- 3. Britain
- 11.: 1770-89: The First Six-String Guitars
- 1. A Short History of String Making
- 2. Spain, South America, and Portugal
- 3. Italy
- 4. France
- 5. England. Germany, and Austria
- 12.: 1790 to the Early 1800s: The Triumph of the Six-String Guitar
- 1. Spain and Portugal
- 2. Britain
- 3. Italy
- 4. France
- 5. Germany, Austria, and Elsewhere
- 13.: The Guitar 1750-c.1800: Practical Information
- 1. The Instrument
- 2. Strings
- 3. Playing Positions
- 4. Specialist Techniques and Ornamentation
- Appendix IV: Primary Sources (1750-c. 1800)
- 1.: Paris - Instrumental Music (Published)
- 2.: Paris - Songs with Guitar Accompaniment (Published)
- 3.: Guitar Methods (Published and Manuscript)
- 4.: Non-Parisian Guitar Music (Published and Manuscript)
- Appendix V: Pieces for Guitar (c.1750-c.!800)
- Bibliography of Secondary Sources
- Index
Details
| Erscheinungsjahr: | 2008 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Instrumentenkunde |
| Medium: | Taschenbuch |
| Reihe: | Oxford Early Music |
| ISBN-13: | 9780199214778 |
| ISBN-10: | 0199214778 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Tyler, James |
| Hersteller: |
Early English Text Society
Oxford Early Music |
| Maße: | 244 x 190 x 23 mm |
| Von/Mit: | James Tyler |
| Erscheinungsdatum: | 01.2008 |
| Gewicht: | 0,668 kg |
Inhaltsverzeichnis
- Dedication
- Preface
- List of Illustrations
- List of Tables
- List of Musical Examples
- List of Abbreviations
- Acknowledgements
- Part I: The Guitar in the Sixteenth Century
- 1.: Spain: La Guitarra de quatro ordenes
- 2.: France: The Creation of the Repertory
- 3.: England: '... yused of gentilmen, and of the best sort ...'
- 4.: Italy: La Chitarra da sette corde
- 5.: Italy: The Role of the Guitar in the Rise of Monody
- Part II: The Spanish Guitar (c.1600-c.1750)
- 6.: Italy: The Creation of the Repertory
- 7.: France: Les Guitarristes Royals
- 8.: 1. England
- 2. The Low Countries
- 3. Scandinavia
- 4. Germany and the Austrian Empire
- 9.: Spain, Portugal, and the New World
- Appendix I. A Brief Guide to Reading and Interpreting Baroque Guitar Tablatures
- Appendix II. Sources of Specific Information on the Tuning and Stringing of the Five-course Guitar
- Appendix III. The Mandora
- Part III: The Origins of the Classical Guitar
- 10.: 1750-69: The Emergence of the Six-Course Guitar
- 1. Spain, Portugal, and South America
- 2. France
- 3. Britain
- 11.: 1770-89: The First Six-String Guitars
- 1. A Short History of String Making
- 2. Spain, South America, and Portugal
- 3. Italy
- 4. France
- 5. England. Germany, and Austria
- 12.: 1790 to the Early 1800s: The Triumph of the Six-String Guitar
- 1. Spain and Portugal
- 2. Britain
- 3. Italy
- 4. France
- 5. Germany, Austria, and Elsewhere
- 13.: The Guitar 1750-c.1800: Practical Information
- 1. The Instrument
- 2. Strings
- 3. Playing Positions
- 4. Specialist Techniques and Ornamentation
- Appendix IV: Primary Sources (1750-c. 1800)
- 1.: Paris - Instrumental Music (Published)
- 2.: Paris - Songs with Guitar Accompaniment (Published)
- 3.: Guitar Methods (Published and Manuscript)
- 4.: Non-Parisian Guitar Music (Published and Manuscript)
- Appendix V: Pieces for Guitar (c.1750-c.!800)
- Bibliography of Secondary Sources
- Index
Details
| Erscheinungsjahr: | 2008 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Instrumentenkunde |
| Medium: | Taschenbuch |
| Reihe: | Oxford Early Music |
| ISBN-13: | 9780199214778 |
| ISBN-10: | 0199214778 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Tyler, James |
| Hersteller: |
Early English Text Society
Oxford Early Music |
| Maße: | 244 x 190 x 23 mm |
| Von/Mit: | James Tyler |
| Erscheinungsdatum: | 01.2008 |
| Gewicht: | 0,668 kg |
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