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Viktoria Franic Tomic, Slobodan Prosperov Novak
THE PECULIARITY OF THE CROATIAN RECEPTION OF DRAMATIC MUSIC IN THE 17th AND 18th CENTURY
1. The Croatian Contribution to the Late Renaissance
Theory of Dramatic Music from Franjo Petric
(Francesco Patrizi) to Pasko Primovic and Ivan Gundulic
2. Croatian Baroque Libretto-Based Drama: the Junije Palmotic Era
3. The dramatists Vice Pucic, siSko Gundulic,
Ivan Gucetic Jr., Jaketa Palmotic and the historian
of the Venetian libretto Kristoforo Ivanovic
4. Vucistrah by Petar Kanavelic, the central
libretto-inspired drama of the second half of the 17th century
5. Antun Gledevic and Ivan siSko Gundulic, followers
of reform in the libretto from the time of Apostolo Zeno
6. Pietro Metastasio and the last phase
of libretto-inspired drama in Dubrovnik
Ennio Stipcevic
OPERA LIBRETTO WITHOUT MUSIC
1. The Renaissance heritage in Baroque theatre and music
2. The earliest Mantuan and Florentine libretti in Croatian translations
3. Venetian libretto writing and stage illusionism
4. Operatic reform in Croatian tragicomedy and music
5. Libretti without music
6. Epilogue
Bibliography
Index
THE PECULIARITY OF THE CROATIAN RECEPTION OF DRAMATIC MUSIC IN THE 17th AND 18th CENTURY
1. The Croatian Contribution to the Late Renaissance
Theory of Dramatic Music from Franjo Petric
(Francesco Patrizi) to Pasko Primovic and Ivan Gundulic
2. Croatian Baroque Libretto-Based Drama: the Junije Palmotic Era
3. The dramatists Vice Pucic, siSko Gundulic,
Ivan Gucetic Jr., Jaketa Palmotic and the historian
of the Venetian libretto Kristoforo Ivanovic
4. Vucistrah by Petar Kanavelic, the central
libretto-inspired drama of the second half of the 17th century
5. Antun Gledevic and Ivan siSko Gundulic, followers
of reform in the libretto from the time of Apostolo Zeno
6. Pietro Metastasio and the last phase
of libretto-inspired drama in Dubrovnik
Ennio Stipcevic
OPERA LIBRETTO WITHOUT MUSIC
1. The Renaissance heritage in Baroque theatre and music
2. The earliest Mantuan and Florentine libretti in Croatian translations
3. Venetian libretto writing and stage illusionism
4. Operatic reform in Croatian tragicomedy and music
5. Libretti without music
6. Epilogue
Bibliography
Index
Viktoria Franic Tomic, Slobodan Prosperov Novak
THE PECULIARITY OF THE CROATIAN RECEPTION OF DRAMATIC MUSIC IN THE 17th AND 18th CENTURY
1. The Croatian Contribution to the Late Renaissance
Theory of Dramatic Music from Franjo Petric
(Francesco Patrizi) to Pasko Primovic and Ivan Gundulic
2. Croatian Baroque Libretto-Based Drama: the Junije Palmotic Era
3. The dramatists Vice Pucic, siSko Gundulic,
Ivan Gucetic Jr., Jaketa Palmotic and the historian
of the Venetian libretto Kristoforo Ivanovic
4. Vucistrah by Petar Kanavelic, the central
libretto-inspired drama of the second half of the 17th century
5. Antun Gledevic and Ivan siSko Gundulic, followers
of reform in the libretto from the time of Apostolo Zeno
6. Pietro Metastasio and the last phase
of libretto-inspired drama in Dubrovnik
Ennio Stipcevic
OPERA LIBRETTO WITHOUT MUSIC
1. The Renaissance heritage in Baroque theatre and music
2. The earliest Mantuan and Florentine libretti in Croatian translations
3. Venetian libretto writing and stage illusionism
4. Operatic reform in Croatian tragicomedy and music
5. Libretti without music
6. Epilogue
Bibliography
Index
THE PECULIARITY OF THE CROATIAN RECEPTION OF DRAMATIC MUSIC IN THE 17th AND 18th CENTURY
1. The Croatian Contribution to the Late Renaissance
Theory of Dramatic Music from Franjo Petric
(Francesco Patrizi) to Pasko Primovic and Ivan Gundulic
2. Croatian Baroque Libretto-Based Drama: the Junije Palmotic Era
3. The dramatists Vice Pucic, siSko Gundulic,
Ivan Gucetic Jr., Jaketa Palmotic and the historian
of the Venetian libretto Kristoforo Ivanovic
4. Vucistrah by Petar Kanavelic, the central
libretto-inspired drama of the second half of the 17th century
5. Antun Gledevic and Ivan siSko Gundulic, followers
of reform in the libretto from the time of Apostolo Zeno
6. Pietro Metastasio and the last phase
of libretto-inspired drama in Dubrovnik
Ennio Stipcevic
OPERA LIBRETTO WITHOUT MUSIC
1. The Renaissance heritage in Baroque theatre and music
2. The earliest Mantuan and Florentine libretti in Croatian translations
3. Venetian libretto writing and stage illusionism
4. Operatic reform in Croatian tragicomedy and music
5. Libretti without music
6. Epilogue
Bibliography
Index
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
Inhalt: | 136 S. |
ISBN-13: | 9783990127988 |
ISBN-10: | 3990127985 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Franic Tomic, Viktoria/Prosperov Novak, Slobodan/Stipcevic, Ennio |
Übersetzung: | Graham McMaster |
Auflage: | 1/2020 |
hollitzer verlag: | Hollitzer Verlag |
der hollitzer baustoffwerke graz gmbh: | der Hollitzer Baustoffwerke Graz GmbH |
Verantwortliche Person für die EU: | Hollitzer Wissenschaftsverlag, Angelika Landbauer, Trautsongasse 6/6, A-1080 Wien, kontakt@hollitzer.at |
Maße: | 240 x 170 x 10 mm |
Von/Mit: | Viktoria/Prosperov Novak, Slobodan/Stipcevic, Ennio Franic Tomic |
Erscheinungsdatum: | 20.04.2020 |
Gewicht: | 0,277 kg |
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
Inhalt: | 136 S. |
ISBN-13: | 9783990127988 |
ISBN-10: | 3990127985 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Franic Tomic, Viktoria/Prosperov Novak, Slobodan/Stipcevic, Ennio |
Übersetzung: | Graham McMaster |
Auflage: | 1/2020 |
hollitzer verlag: | Hollitzer Verlag |
der hollitzer baustoffwerke graz gmbh: | der Hollitzer Baustoffwerke Graz GmbH |
Verantwortliche Person für die EU: | Hollitzer Wissenschaftsverlag, Angelika Landbauer, Trautsongasse 6/6, A-1080 Wien, kontakt@hollitzer.at |
Maße: | 240 x 170 x 10 mm |
Von/Mit: | Viktoria/Prosperov Novak, Slobodan/Stipcevic, Ennio Franic Tomic |
Erscheinungsdatum: | 20.04.2020 |
Gewicht: | 0,277 kg |
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