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Cover: 9781107428348 | The Musicology of Record Production | Simon Zagorski-Thomas | Buch
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The Musicology of Record Production
Taschenbuch von Simon Zagorski-Thomas
Sprache: Englisch

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Beschreibung
Simon Zagorski-Thomas sets out a framework for the study of record production using current ideas from psychology and sociology.
Simon Zagorski-Thomas sets out a framework for the study of record production using current ideas from psychology and sociology.
Über den Autor
Simon Zagorski-Thomas is a Reader at the London College of Music, University of West London. He is a director of the annual Art of Record Production Conference, a co-founder of the Journal on the Art of Record Production and co-chairman of the Association for the Study of the Art of Record Production ([...] His publications include The Art of Record Production (co-edited with Simon Frith, 2012). Before becoming an academic he worked for twenty-five years as a composer, sound engineer and producer with artists as varied as Phil Collins, Mica Paris, the London Community Gospel Choir, Bill Bruford, The Mock Turtles, Courtney Pine and the Balanescu Quartet. He continues to compose and record music and is currently conducting research into the musicology of record production, popular music analysis and performance practice in the recording process.
Inhaltsverzeichnis
1. Introduction; 2. Why study record production?; 3. How should we study record production?; Theoretical interlude 1; 4. Sonic cartoons; 5. Staging; Theoretical interlude 2; 6. The development of audio technology; 7. Using technology; Theoretical interlude 3; 8. Training, communication and practice; 9. Performance in the studio; Theoretical interlude 4; 10. Aesthetics and consumer influence; 11. The business of record production; Afterword.
Details
Erscheinungsjahr: 2016
Genre: Musik
Rubrik: Kunst & Musik
Medium: Taschenbuch
ISBN-13: 9781107428348
ISBN-10: 1107428343
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Zagorski-Thomas, Simon
Hersteller: Cambridge University Press
Maße: 244 x 170 x 16 mm
Von/Mit: Simon Zagorski-Thomas
Erscheinungsdatum: 01.09.2016
Gewicht: 0,485 kg
Artikel-ID: 108349083
Über den Autor
Simon Zagorski-Thomas is a Reader at the London College of Music, University of West London. He is a director of the annual Art of Record Production Conference, a co-founder of the Journal on the Art of Record Production and co-chairman of the Association for the Study of the Art of Record Production ([...] His publications include The Art of Record Production (co-edited with Simon Frith, 2012). Before becoming an academic he worked for twenty-five years as a composer, sound engineer and producer with artists as varied as Phil Collins, Mica Paris, the London Community Gospel Choir, Bill Bruford, The Mock Turtles, Courtney Pine and the Balanescu Quartet. He continues to compose and record music and is currently conducting research into the musicology of record production, popular music analysis and performance practice in the recording process.
Inhaltsverzeichnis
1. Introduction; 2. Why study record production?; 3. How should we study record production?; Theoretical interlude 1; 4. Sonic cartoons; 5. Staging; Theoretical interlude 2; 6. The development of audio technology; 7. Using technology; Theoretical interlude 3; 8. Training, communication and practice; 9. Performance in the studio; Theoretical interlude 4; 10. Aesthetics and consumer influence; 11. The business of record production; Afterword.
Details
Erscheinungsjahr: 2016
Genre: Musik
Rubrik: Kunst & Musik
Medium: Taschenbuch
ISBN-13: 9781107428348
ISBN-10: 1107428343
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Zagorski-Thomas, Simon
Hersteller: Cambridge University Press
Maße: 244 x 170 x 16 mm
Von/Mit: Simon Zagorski-Thomas
Erscheinungsdatum: 01.09.2016
Gewicht: 0,485 kg
Artikel-ID: 108349083
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