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The New Music Industries
Disruption and Discovery
Buch von Diane Hughes (u. a.)
Sprache: Englisch

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Beschreibung
This research-based book outlines career models for artists, methods of creative engagement, artistic options including individuality and branding, production practices, the realities of being a musician in the new industries, and implications for popular music education. Due to the profound effects of the digitisation of music, the music industries have undergone rapid transformation. The former record label dominated industry has been supplanted by new industries, including digital aggregators, strategists and online platforms. These new music industries now facilitate ¿direct¿ access to both artists and their music. While such accessibility and the potential for artist exposure have never been greater, the challenge to stand out or to even navigate a musical career pathway is formidable. A useful resource for musicians and educators, this text highlights the ways in which the new music industries facilitate increased opportunities for 21st Century popular musicians tocollaborate, communicate and interact with others interested in their music.
This research-based book outlines career models for artists, methods of creative engagement, artistic options including individuality and branding, production practices, the realities of being a musician in the new industries, and implications for popular music education. Due to the profound effects of the digitisation of music, the music industries have undergone rapid transformation. The former record label dominated industry has been supplanted by new industries, including digital aggregators, strategists and online platforms. These new music industries now facilitate ¿direct¿ access to both artists and their music. While such accessibility and the potential for artist exposure have never been greater, the challenge to stand out or to even navigate a musical career pathway is formidable. A useful resource for musicians and educators, this text highlights the ways in which the new music industries facilitate increased opportunities for 21st Century popular musicians tocollaborate, communicate and interact with others interested in their music.
Über den Autor
Associate Professor Diane Hughes is a lecturer in Vocal Studies and Music at Macquarie University, Australia. Her research areas include the singing voice, pedagogy, film and sound, recording practices, the music industries, and popular music and song. She is currently the National President of the Australian National Association of Teachers of Singing Ltd.
Professor Mark Evans is the Head of the School of Communication at the University of Technology, Sydney, Australia. He is Series Editor for Genre, Music and Sound and is currently Editor for The International Encyclopedia of Film Music and Sound. He holds an Australian Research Council (ARC) grant to design an artistic and environmental map of the Shoalhaven basin in New South Wales, Australia.
Dr Guy Morrow is a lecturer in Arts Industries and Management at Macquarie University, Australia. He focuses on understanding how artists are managed, both in terms of direct artist management and also through cultural policies. By examining the relationship between artists and managers, Guy generates core-related insights in the creative industries. He is currently the Secretary of the International Music Business Research Association.
Dr Sarah Keith is a lecturer in Music and Media at Macquarie University, Australia. Her research areas includes popular music studies, Korean and Japanese popular music, other East Asian popular musics, the music industries, music and cultural policy, music and screen media, music and performance technologies and computer-mediated composition.
Zusammenfassung

Provides a map for those interested in working in the new industries by identifying what is relevant and important and what is not

Offers contemporary strategies for musicians (both solo artists and groups) and industry professionals

Identifies the need for changes in such areas as music education, government policy, contractual obligations and performance practices

Inhaltsverzeichnis
Foreword.- [...] state of play.- [...] new business of music.- 3.Standing out in the crowd.- 4.Creativities, production technologies and song authorship.- [...] realities of practice.- 6.Popular music education.- [...] 'new' artist.
Details
Erscheinungsjahr: 2016
Genre: Musik
Rubrik: Kunst & Musik
Medium: Buch
Inhalt: xix
137 S.
11 s/w Illustr.
137 p. 11 illus.
ISBN-13: 9783319403632
ISBN-10: 331940363X
Sprache: Englisch
Ausstattung / Beilage: HC runder Rücken kaschiert
Einband: Gebunden
Autor: Hughes, Diane
Keith, Sarah
Morrow, Guy
Evans, Mark
Auflage: 1st ed. 2016
Hersteller: Springer Nature Switzerland
Springer International Publishing
Springer International Publishing AG
Maße: 216 x 153 x 14 mm
Von/Mit: Diane Hughes (u. a.)
Erscheinungsdatum: 05.10.2016
Gewicht: 0,328 kg
Artikel-ID: 103792660
Über den Autor
Associate Professor Diane Hughes is a lecturer in Vocal Studies and Music at Macquarie University, Australia. Her research areas include the singing voice, pedagogy, film and sound, recording practices, the music industries, and popular music and song. She is currently the National President of the Australian National Association of Teachers of Singing Ltd.
Professor Mark Evans is the Head of the School of Communication at the University of Technology, Sydney, Australia. He is Series Editor for Genre, Music and Sound and is currently Editor for The International Encyclopedia of Film Music and Sound. He holds an Australian Research Council (ARC) grant to design an artistic and environmental map of the Shoalhaven basin in New South Wales, Australia.
Dr Guy Morrow is a lecturer in Arts Industries and Management at Macquarie University, Australia. He focuses on understanding how artists are managed, both in terms of direct artist management and also through cultural policies. By examining the relationship between artists and managers, Guy generates core-related insights in the creative industries. He is currently the Secretary of the International Music Business Research Association.
Dr Sarah Keith is a lecturer in Music and Media at Macquarie University, Australia. Her research areas includes popular music studies, Korean and Japanese popular music, other East Asian popular musics, the music industries, music and cultural policy, music and screen media, music and performance technologies and computer-mediated composition.
Zusammenfassung

Provides a map for those interested in working in the new industries by identifying what is relevant and important and what is not

Offers contemporary strategies for musicians (both solo artists and groups) and industry professionals

Identifies the need for changes in such areas as music education, government policy, contractual obligations and performance practices

Inhaltsverzeichnis
Foreword.- [...] state of play.- [...] new business of music.- 3.Standing out in the crowd.- 4.Creativities, production technologies and song authorship.- [...] realities of practice.- 6.Popular music education.- [...] 'new' artist.
Details
Erscheinungsjahr: 2016
Genre: Musik
Rubrik: Kunst & Musik
Medium: Buch
Inhalt: xix
137 S.
11 s/w Illustr.
137 p. 11 illus.
ISBN-13: 9783319403632
ISBN-10: 331940363X
Sprache: Englisch
Ausstattung / Beilage: HC runder Rücken kaschiert
Einband: Gebunden
Autor: Hughes, Diane
Keith, Sarah
Morrow, Guy
Evans, Mark
Auflage: 1st ed. 2016
Hersteller: Springer Nature Switzerland
Springer International Publishing
Springer International Publishing AG
Maße: 216 x 153 x 14 mm
Von/Mit: Diane Hughes (u. a.)
Erscheinungsdatum: 05.10.2016
Gewicht: 0,328 kg
Artikel-ID: 103792660
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