Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
14,40 €*
Versandkostenfrei per Post / DHL
auf Lager, Lieferzeit 1-2 Werktage
Kategorien:
Beschreibung
Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic.
Pamela Hutchinson's study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.
Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.
Pamela Hutchinson's study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.
Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.
Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic.
Pamela Hutchinson's study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.
Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.
Pamela Hutchinson's study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.
Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.
Über den Autor
Pamela Hutchinson is the Editor of Silent London, and writes on early and silent film for the Guardian and Sight & Sound.
Zusammenfassung
Richly illustrated with images from the film and unique images from the BFI National Archive
Inhaltsverzeichnis
Acknowledgments
[...] position: 'Put on the red shoes, Vicky'
2.Overture: the rabbit in the hat
[...] de deux: Powell and Pressburger
[...] company: 'enough genius in each man or woman'
5.Balletomania: 'To live? To dance.'
[...] ballet: 'I am that horror'
[...]: 'doubtful comforts'
Notes
Credits
[...] position: 'Put on the red shoes, Vicky'
2.Overture: the rabbit in the hat
[...] de deux: Powell and Pressburger
[...] company: 'enough genius in each man or woman'
5.Balletomania: 'To live? To dance.'
[...] ballet: 'I am that horror'
[...]: 'doubtful comforts'
Notes
Credits
Details
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Reihe: | BFI Film Classics |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781839026065 |
ISBN-10: | 1839026065 |
Sprache: | Englisch |
Herstellernummer: | 680514 |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Hutchinson, Pamela |
Hersteller: |
Bloomsbury Academic
British Film Institute |
Abbildungen: | 60 colour illus |
Maße: | 187 x 131 x 8 mm |
Von/Mit: | Pamela Hutchinson |
Erscheinungsdatum: | 05.10.2023 |
Gewicht: | 0,182 kg |
Über den Autor
Pamela Hutchinson is the Editor of Silent London, and writes on early and silent film for the Guardian and Sight & Sound.
Zusammenfassung
Richly illustrated with images from the film and unique images from the BFI National Archive
Inhaltsverzeichnis
Acknowledgments
[...] position: 'Put on the red shoes, Vicky'
2.Overture: the rabbit in the hat
[...] de deux: Powell and Pressburger
[...] company: 'enough genius in each man or woman'
5.Balletomania: 'To live? To dance.'
[...] ballet: 'I am that horror'
[...]: 'doubtful comforts'
Notes
Credits
[...] position: 'Put on the red shoes, Vicky'
2.Overture: the rabbit in the hat
[...] de deux: Powell and Pressburger
[...] company: 'enough genius in each man or woman'
5.Balletomania: 'To live? To dance.'
[...] ballet: 'I am that horror'
[...]: 'doubtful comforts'
Notes
Credits
Details
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Reihe: | BFI Film Classics |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781839026065 |
ISBN-10: | 1839026065 |
Sprache: | Englisch |
Herstellernummer: | 680514 |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Hutchinson, Pamela |
Hersteller: |
Bloomsbury Academic
British Film Institute |
Abbildungen: | 60 colour illus |
Maße: | 187 x 131 x 8 mm |
Von/Mit: | Pamela Hutchinson |
Erscheinungsdatum: | 05.10.2023 |
Gewicht: | 0,182 kg |
Warnhinweis