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Cover: 9781478006640 | The Sonic Episteme | Robin James | Taschenbuch | Paperback | Englisch
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The Sonic Episteme
Acoustic Resonance, Neoliberalism, and Biopolitics
Taschenbuch von Robin James
Sprache: Englisch

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Beschreibung
In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme-a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics-employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.
In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme-a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics-employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.
Über den Autor
Robin James
Inhaltsverzeichnis
Acknowledgments vii
Introduction 1
1. Neoliberal Noise and the Biopolitics of (Un)Cool: Acoustic Resonance as Political Economy 23
2. Universal Envoicement: Acoustic Resonance as Political Ontology 51
3. Vibration and Diffraction: Acoustic Resonance as Materialist Ontology 87
4. Neoliberal Sophrosyne: Acoustic Resonance as Subjectivity and Personhood 126
5. Social Physics and Quantum Physics: Acoustic Resonance as the Model for a "Harmonious" World 158
Conclusion 181
Notes 185
Bibliography 227
Index 239
Details
Erscheinungsjahr: 2019
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781478006640
ISBN-10: 1478006641
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: James, Robin
Hersteller: Duke University Press
Maße: 229 x 152 x 16 mm
Von/Mit: Robin James
Erscheinungsdatum: 02.12.2019
Gewicht: 0,418 kg
Artikel-ID: 115389441
Über den Autor
Robin James
Inhaltsverzeichnis
Acknowledgments vii
Introduction 1
1. Neoliberal Noise and the Biopolitics of (Un)Cool: Acoustic Resonance as Political Economy 23
2. Universal Envoicement: Acoustic Resonance as Political Ontology 51
3. Vibration and Diffraction: Acoustic Resonance as Materialist Ontology 87
4. Neoliberal Sophrosyne: Acoustic Resonance as Subjectivity and Personhood 126
5. Social Physics and Quantum Physics: Acoustic Resonance as the Model for a "Harmonious" World 158
Conclusion 181
Notes 185
Bibliography 227
Index 239
Details
Erscheinungsjahr: 2019
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781478006640
ISBN-10: 1478006641
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: James, Robin
Hersteller: Duke University Press
Maße: 229 x 152 x 16 mm
Von/Mit: Robin James
Erscheinungsdatum: 02.12.2019
Gewicht: 0,418 kg
Artikel-ID: 115389441
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