Simon Shaw-Miller is Professor of the History of Art at the University of Bristol. He is an Honorary Associate of the Royal Academy of Music, London. His publications include: Visible Deeds of Music: Music and Art from Wagner to Cage (Yale University Press 2002), Samuel Palmer Revisited (co-edited, Ashgate 2010) and Eye hEar: The Visual in Music (Ashgate 2013). He won the Prix Ars Electronica Media.Art.Research Award in 2009.

List of Illustrations

Preface

Notes on Contributors

Introduction
Charlotte Ashby

Chapter 1. The Cafés of Vienna: Space and Sociability
Charlotte Ashby

Chapter 2. Time and Space in the Café Griensteidl and the Café Central
Gilbert Carr

Chapter 3.The Jew Belongs in the Coffeehouse': Jews, Central Europe and Modernity
Steven Beller

Chapter 4. Coffeehouse Orientalism
Tag Gronberg

Chapter 5. Between 'The House of Study' and the Kaffeehaus: The Central European Café as a Site for Hebrew and Yiddish Modernism
Shachar Pinsker

Chapter 6. Michalik's café in Kraków: Café and Caricature as Media of Modernity
Katarzyna Murawska-Muthesius

Chapter 7. The Coffeehouse in Zagreb at the turn of the Nineteenth and Twentieth Centuries: Similarities and Differences with the Viennese Coffeehouse
Ines Sabotic

Chapter 8. Adolf Loos's Kärntner Bar: Reception, Reinvention, Reproduction
Mary Costello

Chapter 9. Graphic and Interior Design in the Viennese coffeehouse around 1900: Experience and Identity
Jeremy Aynsley

Chapter 10. The Cliché of the Viennese Café as an Extended Living-room: Formal Parallels and Differences
Richard Kurdiovsky

Chapter 11. Coffeehouses and Tea Parties: Conversational Spaces as a Stimulus to Creativity in Sigmund Freud's Vienna and Virginia Woolf's London
Edward Timms

Bibliography

Index