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In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.
In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.
Theodor W. Adorno is the author of Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata, published by Wiley.
Henri Lonitz is the editor of Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata, published by Wiley.
Translator's Introduction.
Notes I.
Ad Dorian.
On Richard Wagner's 'Uber das Dirigieren'.
Concerning the Older Material.
AdAancient Musical Notation.
Notes Taken After the Darmstadt Lecture.
Notes II.
Draft.
Structural Keywords for chapters 2, 4 and 5 of the Draft.
Material for the Reproduction Theory.
Two Schemata.
Keywords for the 1954 Darmstadt Seminar.
Notes.
Bibliography.
Index of Names.
Erscheinungsjahr: | 2007 |
---|---|
Genre: | Importe, Philosophie |
Rubrik: | Geisteswissenschaften |
Medium: | Taschenbuch |
ISBN-13: | 9780745631998 |
ISBN-10: | 0745631991 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Adorno, Theodor W |
Redaktion: | Lonitz, Henri |
Übersetzung: | Honban, Weiland |
Hersteller: | Polity Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 228 x 154 x 19 mm |
Von/Mit: | Theodor W Adorno |
Erscheinungsdatum: | 01.04.2007 |
Gewicht: | 0,437 kg |
Theodor W. Adorno is the author of Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata, published by Wiley.
Henri Lonitz is the editor of Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata, published by Wiley.
Translator's Introduction.
Notes I.
Ad Dorian.
On Richard Wagner's 'Uber das Dirigieren'.
Concerning the Older Material.
AdAancient Musical Notation.
Notes Taken After the Darmstadt Lecture.
Notes II.
Draft.
Structural Keywords for chapters 2, 4 and 5 of the Draft.
Material for the Reproduction Theory.
Two Schemata.
Keywords for the 1954 Darmstadt Seminar.
Notes.
Bibliography.
Index of Names.
Erscheinungsjahr: | 2007 |
---|---|
Genre: | Importe, Philosophie |
Rubrik: | Geisteswissenschaften |
Medium: | Taschenbuch |
ISBN-13: | 9780745631998 |
ISBN-10: | 0745631991 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Adorno, Theodor W |
Redaktion: | Lonitz, Henri |
Übersetzung: | Honban, Weiland |
Hersteller: | Polity Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 228 x 154 x 19 mm |
Von/Mit: | Theodor W Adorno |
Erscheinungsdatum: | 01.04.2007 |
Gewicht: | 0,437 kg |