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Beschreibung
Challenging prevalent conceptualizations of modernity--which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation--this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa'a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy.
In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction.
In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction.
Challenging prevalent conceptualizations of modernity--which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation--this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa'a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy.
In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction.
In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction.
Über den Autor
Tarek El-Ariss is Associate Professor of Middle Eastern Studies and Comparative Literature at the University of Texas, Austin.
Details
Erscheinungsjahr: | 2013 |
---|---|
Genre: | Importe, Lyrik & Dramatik |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
ISBN-13: | 9780823251728 |
ISBN-10: | 0823251721 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | El-Ariss, Tarek |
Hersteller: | Fordham University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 15 mm |
Von/Mit: | Tarek El-Ariss |
Erscheinungsdatum: | 01.04.2013 |
Gewicht: | 0,408 kg |
Über den Autor
Tarek El-Ariss is Associate Professor of Middle Eastern Studies and Comparative Literature at the University of Texas, Austin.
Details
Erscheinungsjahr: | 2013 |
---|---|
Genre: | Importe, Lyrik & Dramatik |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
ISBN-13: | 9780823251728 |
ISBN-10: | 0823251721 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | El-Ariss, Tarek |
Hersteller: | Fordham University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 15 mm |
Von/Mit: | Tarek El-Ariss |
Erscheinungsdatum: | 01.04.2013 |
Gewicht: | 0,408 kg |
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