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Curators have become much more than just ?keepers' of a collection, with a remit to create narrative and experiential exhibitions as well as develop the museum's role as a space for learning. Donna Loveday explores how design has come to the fore in curatorial practice, with new design museums opening around the world as well as blockbusting exhibitions of fashion and popular culture. Featuring case studies and interviews with leading practitioners from international museums, Loveday examines the history of collecting and display of designed objects, highlighting the changing role of the curator in addition to contemporary challenges and best practices.
Curators have become much more than just ?keepers' of a collection, with a remit to create narrative and experiential exhibitions as well as develop the museum's role as a space for learning. Donna Loveday explores how design has come to the fore in curatorial practice, with new design museums opening around the world as well as blockbusting exhibitions of fashion and popular culture. Featuring case studies and interviews with leading practitioners from international museums, Loveday examines the history of collecting and display of designed objects, highlighting the changing role of the curator in addition to contemporary challenges and best practices.
Über den Autor
Donna Loveday
Inhaltsverzeichnis
List of Illustrations
List of Contributors
Acknowledgements
Introduction
Part One: Displaying Designed Objects in Museum and Exhibition Contexts, 1800s-2000
1.1 Cabinets of Curiosities and the Formation of the Public Museum
1.2 International Exhibitions
1.3 The Decorative Arts Museum and the Modern Art Museum
1.4 The Emergence of the Design Museum
1.5 A Rising Public Interest in Design
1.6 The Growing Popularity of Design Exhibitions
1.7 New Programmes to Train Curators
Part Two: The Curatorial Turn, 1980-2020
2.1 A Changing Political Landscape for Museums
2.2 The Educational Turn: The Museum as an Ideal Learning Environment
2.3 Producing New Curatorial Formats: The Public Programme Curator
2.4 The Experiential Turn in Museums
2.5 Designing Exhibitions as Narrative Space
2.6 Curating Narrative and Experiential Exhibitions
Part Three: Interviews with Eight International Design Curators
3.1 The Reflective Practitioner
3.2 The Interviews
Corina Gardner (Victoria and Albert Museum, UK)
Andrea Lipps (Cooper Hewitt, Smithsonian Design Museum, USA)
Riya Patel (The Aram Gallery, UK)
Sumitra Upham (Crafts Council, UK)
Renata Becerril (Abierto Mexicano de Diseño, Mexico)
Fleur Watson (Centre for Architecture Victoria, Australia)
Wilhelm Finger and Melita Skamnaki (Double Decker, UK)
3.10 Curating the Design Programme
Closing Comments
Bibliography
Index
List of Contributors
Acknowledgements
Introduction
Part One: Displaying Designed Objects in Museum and Exhibition Contexts, 1800s-2000
1.1 Cabinets of Curiosities and the Formation of the Public Museum
1.2 International Exhibitions
1.3 The Decorative Arts Museum and the Modern Art Museum
1.4 The Emergence of the Design Museum
1.5 A Rising Public Interest in Design
1.6 The Growing Popularity of Design Exhibitions
1.7 New Programmes to Train Curators
Part Two: The Curatorial Turn, 1980-2020
2.1 A Changing Political Landscape for Museums
2.2 The Educational Turn: The Museum as an Ideal Learning Environment
2.3 Producing New Curatorial Formats: The Public Programme Curator
2.4 The Experiential Turn in Museums
2.5 Designing Exhibitions as Narrative Space
2.6 Curating Narrative and Experiential Exhibitions
Part Three: Interviews with Eight International Design Curators
3.1 The Reflective Practitioner
3.2 The Interviews
Corina Gardner (Victoria and Albert Museum, UK)
Andrea Lipps (Cooper Hewitt, Smithsonian Design Museum, USA)
Riya Patel (The Aram Gallery, UK)
Sumitra Upham (Crafts Council, UK)
Renata Becerril (Abierto Mexicano de Diseño, Mexico)
Fleur Watson (Centre for Architecture Victoria, Australia)
Wilhelm Finger and Melita Skamnaki (Double Decker, UK)
3.10 Curating the Design Programme
Closing Comments
Bibliography
Index
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Innenarchitektur & Design |
Medium: | Taschenbuch |
ISBN-13: | 9781350162761 |
ISBN-10: | 1350162760 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Loveday, Donna |
Hersteller: | Bloomsbury Publishing PLC |
Maße: | 232 x 154 x 14 mm |
Von/Mit: | Donna Loveday |
Erscheinungsdatum: | 08.09.2022 |
Gewicht: | 0,568 kg |
Über den Autor
Donna Loveday
Inhaltsverzeichnis
List of Illustrations
List of Contributors
Acknowledgements
Introduction
Part One: Displaying Designed Objects in Museum and Exhibition Contexts, 1800s-2000
1.1 Cabinets of Curiosities and the Formation of the Public Museum
1.2 International Exhibitions
1.3 The Decorative Arts Museum and the Modern Art Museum
1.4 The Emergence of the Design Museum
1.5 A Rising Public Interest in Design
1.6 The Growing Popularity of Design Exhibitions
1.7 New Programmes to Train Curators
Part Two: The Curatorial Turn, 1980-2020
2.1 A Changing Political Landscape for Museums
2.2 The Educational Turn: The Museum as an Ideal Learning Environment
2.3 Producing New Curatorial Formats: The Public Programme Curator
2.4 The Experiential Turn in Museums
2.5 Designing Exhibitions as Narrative Space
2.6 Curating Narrative and Experiential Exhibitions
Part Three: Interviews with Eight International Design Curators
3.1 The Reflective Practitioner
3.2 The Interviews
Corina Gardner (Victoria and Albert Museum, UK)
Andrea Lipps (Cooper Hewitt, Smithsonian Design Museum, USA)
Riya Patel (The Aram Gallery, UK)
Sumitra Upham (Crafts Council, UK)
Renata Becerril (Abierto Mexicano de Diseño, Mexico)
Fleur Watson (Centre for Architecture Victoria, Australia)
Wilhelm Finger and Melita Skamnaki (Double Decker, UK)
3.10 Curating the Design Programme
Closing Comments
Bibliography
Index
List of Contributors
Acknowledgements
Introduction
Part One: Displaying Designed Objects in Museum and Exhibition Contexts, 1800s-2000
1.1 Cabinets of Curiosities and the Formation of the Public Museum
1.2 International Exhibitions
1.3 The Decorative Arts Museum and the Modern Art Museum
1.4 The Emergence of the Design Museum
1.5 A Rising Public Interest in Design
1.6 The Growing Popularity of Design Exhibitions
1.7 New Programmes to Train Curators
Part Two: The Curatorial Turn, 1980-2020
2.1 A Changing Political Landscape for Museums
2.2 The Educational Turn: The Museum as an Ideal Learning Environment
2.3 Producing New Curatorial Formats: The Public Programme Curator
2.4 The Experiential Turn in Museums
2.5 Designing Exhibitions as Narrative Space
2.6 Curating Narrative and Experiential Exhibitions
Part Three: Interviews with Eight International Design Curators
3.1 The Reflective Practitioner
3.2 The Interviews
Corina Gardner (Victoria and Albert Museum, UK)
Andrea Lipps (Cooper Hewitt, Smithsonian Design Museum, USA)
Riya Patel (The Aram Gallery, UK)
Sumitra Upham (Crafts Council, UK)
Renata Becerril (Abierto Mexicano de Diseño, Mexico)
Fleur Watson (Centre for Architecture Victoria, Australia)
Wilhelm Finger and Melita Skamnaki (Double Decker, UK)
3.10 Curating the Design Programme
Closing Comments
Bibliography
Index
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Innenarchitektur & Design |
Medium: | Taschenbuch |
ISBN-13: | 9781350162761 |
ISBN-10: | 1350162760 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Loveday, Donna |
Hersteller: | Bloomsbury Publishing PLC |
Maße: | 232 x 154 x 14 mm |
Von/Mit: | Donna Loveday |
Erscheinungsdatum: | 08.09.2022 |
Gewicht: | 0,568 kg |
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