Streaming Music, Streaming Capital

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Sprache: Englisch

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Beschreibung

In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music's complex and contradictory relation to capitalism. Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming's benefits and pitfalls, Drott sheds light on music's situation within digital capitalism, from growing concentrations of monopoly power and music's use in corporate surveillance to issues of musical value, labor, and artist pay.

Über den Autor

Eric Drott

Inhaltsverzeichnis

Acknowledgments ix
Introduction 1
1. Streaming Music 22
2. Streaming Capital 63
3. Music as a Technology of Surveillance 101
4. Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists 144
5. Streaming, Cheap Music, and the Crises of Social Reproduction 193
Epilogue 235
Notes 255
Bibliography 307
Index 331

Erscheinungsjahr:	2024
Genre:	Musik
Rubrik:	Kunst & Musik
Medium:	Taschenbuch
ISBN-13:	9781478025740
ISBN-10:	1478025743
Sprache:	Englisch
Ausstattung / Beilage:	Paperback
Einband:	Kartoniert / Broschiert
Autor:	Drott, Eric
Hersteller:	Duke University Press
Maße:	229 x 152 x 22 mm
Von/Mit:	Eric Drott
Erscheinungsdatum:	02.02.2024
Gewicht:	0,578 kg

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