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Karin Bijsterveld is Professor of Science, Technology and Modern Culture at Maastricht University. She is author of Mechanical Sound: Technology, Culture and Public Problems of Noise in the Twentieth Century (2008), and co-editor of Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (2009, with José van Dijck).
- Contributors
- List of Figures
- Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld
- SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR and TEST SITES
- 1. The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith
- 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun
- 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs
- 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld
- SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD
- 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx
- 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich
- 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell
- SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB
- 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson
- 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody
- 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper
- SECTION IV: SPEAKING FOR THE BODY: THE CLINIC
- 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz
- 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice
- 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills
- SECTION V: EDITING SOUND: THE DESIGN STUDIO
- 14. Sound and Player Immersion in Digital Games - Mark Grimshaw
- 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington
- 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor
- SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND
- 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers
- 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora
- [...] Amateur in the Age of Mechanical Music - Mark Katz
- 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at [...] - Trevor Pinch and Katherine Athanasiades
- SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE
- 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche
- 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull
- 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama
- Index
| Erscheinungsjahr: | 2013 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780199995813 |
| ISBN-10: | 0199995818 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Pinch, Trevor |
| Komponist: | Trevor Pinch_Karin Bijsterveld |
| Redaktion: |
Pinch, Trevor
Bijsterveld, Karin |
| Hersteller: | Oxford University Press |
| Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
| Maße: | 244 x 170 x 33 mm |
| Von/Mit: | Trevor Pinch (u. a.) |
| Erscheinungsdatum: | 01.04.2013 |
| Gewicht: | 1,037 kg |
Karin Bijsterveld is Professor of Science, Technology and Modern Culture at Maastricht University. She is author of Mechanical Sound: Technology, Culture and Public Problems of Noise in the Twentieth Century (2008), and co-editor of Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (2009, with José van Dijck).
- Contributors
- List of Figures
- Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld
- SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR and TEST SITES
- 1. The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith
- 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun
- 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs
- 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld
- SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD
- 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx
- 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich
- 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell
- SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB
- 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson
- 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody
- 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper
- SECTION IV: SPEAKING FOR THE BODY: THE CLINIC
- 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz
- 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice
- 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills
- SECTION V: EDITING SOUND: THE DESIGN STUDIO
- 14. Sound and Player Immersion in Digital Games - Mark Grimshaw
- 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington
- 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor
- SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND
- 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers
- 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora
- [...] Amateur in the Age of Mechanical Music - Mark Katz
- 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at [...] - Trevor Pinch and Katherine Athanasiades
- SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE
- 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche
- 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull
- 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama
- Index
| Erscheinungsjahr: | 2013 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780199995813 |
| ISBN-10: | 0199995818 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Pinch, Trevor |
| Komponist: | Trevor Pinch_Karin Bijsterveld |
| Redaktion: |
Pinch, Trevor
Bijsterveld, Karin |
| Hersteller: | Oxford University Press |
| Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
| Maße: | 244 x 170 x 33 mm |
| Von/Mit: | Trevor Pinch (u. a.) |
| Erscheinungsdatum: | 01.04.2013 |
| Gewicht: | 1,037 kg |
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